Capsule Reviews

Pierre Huyghe: One Million + Kingdoms Pierre Huyghe (pronounced "Weeg") is an artist who's in touch with the power of mass media--both as it molds our collective identity and as fodder for making good art. The three videos now showing at the Fort Worth Modern confront the manner in which the forces of news and entertainment fabricate truth from an alchemy of fact and fiction. "Les Grands Ensembles" shows two blinking towers standing alone in a rather vacant landscape. Upon closer look, their emptiness reveals a counterfeit. Seemingly the carcasses of failed utopian dreams of mass housing, the two high-rises are really architectural models rather than real buildings. "One Million Kingdoms" offers a short, offbeat narrative in which the main character is "Annlee"--a doe-eyed and lanky adolescent girl. Huyghe and a colleague purchased the copyright for her from Japanese comic book designers. Annlee solemnly roams a lunar digital landscape, with each footstep creating the ground on which she walks. Her voice is that of Neil Armstrong, and her words are those of Jules Verne. Reciting passages from Journey to the Center of the Earth, Annlee's pointless escapade casts ironic doubt on the famous American moon landing of 1969. "The Third Memory" is based on the 1972 bank robbery committed by John Wojtowicz that became the subject of the movie Dog Day Afternoon (1975). Mixing fact, fiction and the willfully manufactured memories of Wojtowicz some 25 years after the crime, the video comments on the ever-evolving nature of "truth" based on historical events. Through August 29 at the Modern Art Museum of Fort Worth, 3200 Darnell St., Fort Worth, 817-738-9215. Reviewed July 15. (Charissa N.Terranova)

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