Alan Scherstuhl

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  • Above all else, a movie built around a star promises presence, and in Bill Condon's Mr. Holmes that promise is dual: Here's 100 or so minutes with the great Ian McKellen, for once not casting spells, controlling magnetism, or...

  • We may not need another hero, but true believers don't need to shrink-ray their expectations. Ant-Man is the first Marvel film -- and the first of this summer's pixels-go-kablooey time-wasters -- to get better as it goes. The filmmakers...

  • 17 days ago | Film and TV

    We may not need another hero, but true believers don't need to shrink-ray their expectations. Ant-Man is the first Marvel film — and the first of this summer's pixels-go-kablooey time-wasters — to get better as it goes. The filmmakers save their b...

  • 17 days ago | Film and TV

    Above all else, a movie built around a star promises presence, and in Bill Condon's Mr. Holmes that promise is dual: Here's 100 or so minutes with the great Ian McKellen, for once not casting spells, controlling magnetism or classing up script pag...

  • Benicio del Toro looms on the poster for Escobar: Paradise Lost in full hollow-eyed mustachioed grandeur, his deadly visage filling the sky above a teensy image of a white dude running along with a gun. What a surprise, then, to discover...

  • One of the nastiest tricks the bastards ever played was to convince artists that it's best never to be strident. Nina Simone's still-vital "Mississippi Goddam," from 1964, is a grimly jaunty showtune, an uneasy experiment in which the song's form...

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