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Alex Magocsi

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  • 18 years ago

    I wandered around the Dallas music scene lonely as a freelance cloud, the Dallas Observer Music Awards were about as interesting to me as a medium-sized rock in a coffee can. Who cares what anybody else thinks? Ah, the carefree ways of callow yout...

  • 19 years ago

    If you live in Austin, it's easy to grow weary of that town's annual South by Southwest (SXSW) music conference: Downtown becomes impassable, restaurants and clubs are clogged, and the myriad ways in which the shindig makes clear the differences b...

  • 19 years ago

    Sound and fury... Test for Echo Rush Anthem/Atlantic The think-rock of Rush has always been problematic. Early masterworks like 2112 (1976) succeeded even if they are lyrical Cliffs Notes for college freshmen. (2112 is based on Ayn Rand's Anthem; ...

  • 19 years ago

    It's summer, 1994, and Pervis is headlining an MCA Records showcase at Trees. Co-sirens Rachael Strauss and Cristina Harrison writhe, high-kick, and caterwaul to the punk-metal rumble of their three male counterparts. "Slut rock," one naysayer sna...

  • 19 years ago

    Edie teeters on one foot, streaming consciousness. Kenny noodles a spacey jam while John pings a cymbal here, a cowbell there, tom-tomming a slippery polyrhythmic groove. Slinky, sweaty old-school Boheads--Adina (but no Christina?), Amanda, Mark a...

  • 19 years ago

    Reed Easterwood woke one morning last fall to a vision: A colossal gold angel--wreath in one hand, staff in the other--spreading her wings over a Romanesque structure wrapped in white cloth. Easterwood was the guitarist on the MC 900 Ft. Jesus tou...