Bilge Ebiri

 

Bilge Ebiri is the principal film critic at the Village Voice. Ebiri's work also appears in the publications of the Voice’s film partner, Voice Media Group: LA Weekly, Denver Westword, Phoenix New Times, Miami New Times, Broward-Palm Beach New Times, Houston Press and Dallas Observer.

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  • 2 days ago | Film and TV

    In the opening shot of Only the Brave, a flaming bear — not just a bear that happens to be burning but one that looks as if it had been created entirely from fire — lunges at the camera in the middle of a blazing forest. The image returns a...

  • In the opening shot of Only the Brave, a flaming bear -- not just a bear that happens to be burning but one that looks as if it had been created entirely from fire -- lunges at the camera in the middle of a blazing forest. Fire crew...

  • Adam Sandler's core as a performer has always been his self-loathing. In his best comedies, he weaponizes it with humiliating ruthlessness. Now, he's given the performance of his life in Noah Baumbach's free-spirited and likable The Meyerowitz...

  • 8 days ago | Film and TV

    The Meyerowitz Stories (New and Selected) premieres on Netflix Oct. 13 Adam Sandler’s core as a performer has always been his self-loathing. In his best comedies, he weaponizes it with humiliating ruthlessness. (In his worst ones, it wafts patheti...

  • In Blade Runner 2049, set three decades after Ridley Scott's original, Denis Villeneuve has to re-create and expand Blade Runner, convincingly imagining how it might have changed over the years and envisioning the rest of its dying...

  • 15 days ago | Film and TV

    The story goes that the stretch of snowy landscape at the end of the original cut of Ridley Scott’s Blade Runner was actually B-roll from Stanley Kubrick’s The Shining, slapped on by Scott at the last minute to help deliver the more upbeat ending ...

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