facebook
instagram
twitter
linkedin
tiktok
threads
Navigation
News
Crime
Education
Election
Environment
Healthcare
LGBTQ+
Politics
Sports
Food & Drink
First Look
Openings & Closings
Restaurant Guide
Restaurant Reviews
Top 100 Bars
Top 100 Restaurants
Arts & Culture
Photos
Theater
Visual Art
Music
Concert Reviews
Concert Calendar
Local Music
Things To Do
Calendar
Lists
Observer Burger Week
Observer The Morning After Brunch Event
Observer Tacolandia
Best of Dallas
Arts & Entertainment
Food & Drink
Shopping & Services
Sports & Recreation
Readers' Choice
Newsletters
More
About Us
Advertise with Us
Contact Us
Flipbook Archive
Promotions & Free Stuff
Staff
Support Us
Where To Find Dallas Observer In Print
facebook
instagram
twitter
linkedin
tiktok
threads
Support Us
Sign Up/Sign In
Contribute
Contact Us
Search
News
Crime
Education
Election
Environment
Healthcare
LGBTQ+
Politics
Sports
Food & Drink
First Look
Openings & Closings
Restaurant Guide
Restaurant Reviews
Top 100 Bars
Top 100 Restaurants
Arts & Culture
Photos
Theater
Visual Art
Music
Concert Reviews
Concert Calendar
Local Music
Things To Do
Calendar
Lists
Observer Burger Week
Observer The Morning After Brunch Event
Observer Tacolandia
Best of Dallas
Arts & Entertainment
Food & Drink
Shopping & Services
Sports & Recreation
Readers' Choice
Newsletters
More
About Us
Advertise with Us
Contact Us
Flipbook Archive
Promotions & Free Stuff
Staff
Support Us
Where To Find Dallas Observer In Print
Daniel Mee
Find Stories by Daniel Mee
Browse by:
Category:
Music
Year:
2007
Latest Articles
Liars
Liars
(Mute Records)
By Daniel Mee
Sep 27, 2007
Anyone who saw Liars cover Nirvana's "Territorial Pissings" during last year's summer tour might have suspected that, despite the seemingly irredeemable freakiness of 2004's They Were Wrong So We Drowned and 2006's Drum's Not Dead, the New Yorkers hadn't lost track of their more conventional roots. Sure enough, for this...
The Sea and Cake
Everybody
(Thrill Jockey)
By Daniel Mee
May 17, 2007
As Pitchfork Media once said of the group Silkworm, consistency without spectacle can make for a tough sell. This axiom also applies to the Sea and Cake, but it has been mitigated somewhat by their danceability, which came to a head on 2000's Oui and 2003's One Bedroom, as the...
More Articles by Daniel Mee »
Don't Miss Out
SIGN UP
for the latest news, free stuff and more!
Join Today
Newsletter Sign Up
Enter your name, zip code, and email
First Name
•
Last Name
•
Zip Code
•
Email
•
Become a member to support the independent voice of Dallas and help keep the future of the Observer
FREE
I Support
Learn More