Email Author Elaine Liner
Pick A Number as the best new short play about a provocative subject. The writing sends off sparks of genius, the plot twists shock.... More >>
Muscular young men rolling around on each other in skintight unitards sounds like a scene from one of the Uptown Players' sellout shows. But the... More >>
Mothers really take it in the aprons this week. In two new productions--the regional premiere of campy comedy Mambo Italiano at the... More >>
VaVa Veronica blows a mean saxophone. But not with her mouth. As one of a handful of ragged "disappointment players," Veronica, a would-be strip... More >>
Andrea Dworkin is dead. Not a lot of laughs, Ms. Dworkin. She was the most radical of her generation of radical feminists. In lectures, articles... More >>
Professor Henry Higgins, the bossy, tweedy phonetics expert in My Fair Lady, boasts that he can tell any man's place of birth and... More >>
Something hideous hangs nailed to the door of the farmhouse in Kitchen Dog Theater's sublimely terrifying production of Sam Shepard's... More >>
On the face of actress Lynn Blackburn are all the reasons you need to see Hay Fever, Theatre Britain's production now... More >>
The Cherry Torture, critics often call it. And for good reasons. Anton Chekhov's final play babbles on and on for four acts of increasingly... More >>
Richard Greenberg asks a simple but intriguing question in his play The Violet Hour, now onstage at Dallas Theater Center.... More >>
Life is short and sweet, savor every minute. So says the message of The Living End, a quartet of charming yet provocative... More >>
In the classic "actor's nightmare," you're standing center stage in the spotlight. The audience stares, waiting for your next line. Behind you,... More >>
Writing the little play about big ideas is playwright Lee Blessing's specialty. He did it with A Walk in the Woods--one Russian diplomat,... More >>
Forget, if you want to, that A Country Life is based on Anton Chekhov's Uncle Vanya (originally subtitled Scenes From a... More >>
Being terribly clever can make for terrible comedy. Freedomland, Amy Freed's odd play about a family of brilliant eccentrics, spews... More >>
The audience is 50 percent of the performance,'' said the great old actress Shirley Booth. At least that much, I'd say. Maybe more. A good... More >>
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