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Best Band Comeback

Union Camp

We had no idea how much difference a name makes until Check changed its moniker to Union Camp. To be honest, we probably wouldn't have given Check another chance, after 1998's All Time Low proved to be a tease, featuring guest appearances by Slobberbone's Brent Best, Legendary Crystal Chandelier's Peter Schmidt, and Centro-matic's Will Johnson, and, well, that's about it. But as Union Camp, the band got another shot to win us over, and this year's Fever and Pain (as well as its contribution to the Band-kits compilation) did just that, sounding like Brian Wilson sitting in with Creedence Clearwater Revival, or something like that. Southern rock that's not embarrassing or offensive? That's gotta be worth something.

Best proof that Texas Monthly might be right

The Nixons, Hellafied Funk Crew, Pimpadelic, and every band that plays at The Rock. Unfortunately, there's even more where these came from.

Best threat to Sam Paulos' empire

ACME CD Manufacturing Co.,

The compact-disc manufacturing outfit run by former Leaning House Records honcho Mark Elliott and The New Year's Bubba Kadane out of a storefront in Exposition Park will one day pry loose Sam Paulos and Crystal Clear Sound's stranglehold on the local music scene. Count on it: Everyone involved with the company is too smart and talented for that not to happen. The only question is when. Already, the company has handled projects for the late, great Trance Syndicate Records, Two Ohm Hop, Quality Park Records, Last Beat Records, and the Butthole Surfers, as well as putting together CD-ROMs for numerous corporate and government clients. That sound you hear is Crystal Clear trying to come up with a counterattack. It might be too late.

Best threat to Sam Paulos' empire (Part II)

Last Beat music complex

A place where bands can rehearse and record, combined with a fully functioning record label, the Last Beat compound on Commerce Street has undergone major changes in the past few years, with outstanding results. The Toadies, Legendary Crystal Chandelier, The Deathray Davies, Chomsky, Captain Audio, Pinkston, and others all use the rehearsal facilities, and Baboon, The Polyphonic Spree, and many more have recorded in the studio, designed by renowned producer (Pink Floyd, etc.) Nick Griffiths. The label is one of the few in town that thinks like a major, with a roster (Pleasant Grove and Baboon, for starters) to match. You can bet Sam Paulos has driven by the Last Beat complex a few nights with Molotov cocktail in hand, just itching to put an end to it.

Best place to see a living legend

Al Dupree at The Balcony Club

"Big" Al Dupree sings and plays the piano. Very well. From his low perch in front of a piano, Dupree's soft jazz and gentle blues captivate the crowd at The Balcony Club an average of five nights a week, joined by eager Dallas musicians who want to play with the great one. Their eagerness is understandable--in his time, Dupree played with the likes of "T-Bone" Walker, Pee Wee Crayton, and Ike Turner. Dupree is a true Dallas native, born in 1923 and playing in clubs here off and on since he was 14. To hear his gentle, rasping voice and talented ivory ministrations is heaven for jazz fans and an eye-opener to how good the medium can be for the uninitiated. The comfortably small Balcony Club is an ideal place to see the man in action, a showcase not only for the music but a catch basin for the ambience stoked by Dupree's appearances. Band members sip drinks and flirt at the bar until their solos. Regulars greet each other warmly, chat up Al and his band during break, and bask in the live soundtrack of their evening. Dates cuddle and speak softly, the music at a perfect ever-present but soft volume. Long live Al Dupree and his talented cohorts.

Best Public Sculpture

Pegasus, Farmers Market

The new one, lit up by Der Mayor on New Year's Eve, is pretty enough--a glossy neon vestige brought back to life in a downtown trying to breathe life into its concrete shells (lotsa lofts, but we'll see if it makes a difference). But the original, sitting in a Farmers Market shed, is still a sight to behold, especially up close. The first time we saw it, we were shocked. It took us by surprise--we knew it was there, but it had slipped our minds--so we stood there for an extra moment or two, ogling this piece of local history. Aside from a little rust and ruin, it looked somehow more majestic in the shed than it had when flying atop downtown--you could touch it, and touch history. Whether it qualifies as "sculpture," well, we're not qualified to say. But it's Dallas' real art, with a capital "he."

Best elementary school

Stonewall Jackson Elementary

While the Dallas Independent School District talks about splitting into three (we think they ought to use dynamite rather than a bureaucratic blueprint) to deal with their woes, it's nice to cite an example of what is good within DISD. Stonewall Jackson Elementary School has received the exemplary school status on the state level, and the blue-ribbon school status on the national level. Their annual celebration of international cultures helps to teach inclusiveness at an early age in a city where ethnic clashes can create political headaches.

Best art gallery

You gotta be kidding

Yes, we're pulling another cop-out, but come on, there are many damned fine galleries here, and our favorite changes with each new show. It would be fruitless to list one each here along with its respective virtues. Some good starting points include Pillsbury and Peters Fine Art, the McKinney Avenue Contemporary, Photographs Do Not Bend, Conduit Gallery, Barry Whistler Gallery, Dunn and Brown Contemporary, and Craighead-Green Gallery. Plus, it seems a new gallery is opening every few months in downtown and Expo Park alone. So get out and judge for yourselves.

Best newspaper columnist

Timothy O'Leary, The Dallas Morning News

Covering international beats is a cool but challenging gig, especially considering the void of interest in international relations endemic to the American public. Bringing compelling tales from or about foreign lands to the pages of local newspapers is a good vehicle to get people to shed their back yard mentality. Timothy O'Leary hopscotches the world in search of dramatic conflicts or radical change. In the last two years he's filed stories from Ireland, Greece, and India. His coverage of the most recent Mexican presidential election, including an appealingly sheepish column regarding his botched prediction that Vicente Fox would lose, brought simple analysis of the attitude of the Mexican people as seen from the ground. His columns are admirably free of self-indulgence and written in a traditional, accessible style. Sure, it's a good gig, traveling the world and filing an average of seven stories a year. But if done right, a good international columnist can bring to the readership a glimpse of life beyond U.S. borders, a sorely needed acknowledgement that Dallas is just a small part of a big world.

Best TV Journalist

Brett Shipp on WFAA Channel 8

He hammered Bill Rojas and his overpriced posse of headquarters bureaucrats, then came up with what could be the scoop of the summer: sleazy back-scratching judges down at the civil courthouse. What's cool about Shipp is that he's so nice while he's capping those knees. Rather than huff and puff himself up as a crusading investigator, like so many others in this market, he delivers the goods in an almost self-effacing tone. Good and humble. It's a surprise he's made it in TV news.

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