Best Of :: People & Places
For years Maria Frenkel couldn't talk about why she launched her own business. Her reasons for doing it were too personal, and if asked she would simply say, "I wanted to be able to help people." Only recently has she felt comfortable explaining why she started Crime Scene Clean-Up Services of Texas.
In the spring of 1996, Frenkel, then 37 years old, was pregnant with her first child. One morning, as she sat on her bed, putting on makeup, she felt something peculiar. "It was like an electric shock that was moving up toward my navel," she says. "And then I started feeling back pains. And I thought, 'What the heck is wrong?' I didn't know what was happening until I started bleeding.
"When I came home from the hospital, I was the one who had to do the cleanup. So I spent a lot of time praying about what to do to help other people who were in similar situations."
Thus from the umber stains of that stillbirth years ago sprang Frenkel's new business. She incorporated Crime Scene Clean-Up Services that same year. She says she went door to door, offering her services to people in whose homes and apartments and places of business had occurred all manner of messy, unspeakable tragedies. Teeth embedded in walls. Puddles of blood on Berber carpet. A bathroom shower raining on a dead man's face for two weeks.
She can now talk about her own reasons for getting into the business back then, but Frenkel closely guards the details of her work today. She has cleaned up the physical aftermath of some of the most publicized deaths in the area, but the emotional mess left by these incidents, some of them recent, can't be carted off in red bags for incineration. She'd prefer the families involved not have to read about any of it here.
One case she will discuss, though. About a year ago Frenkel got a call about a situation in an Oak Cliff apartment (she and her regular team of five assistants are always on call). So she drove there in her unmarked car with her tools and solvents. She pulled on a disposable white body suit and strapped on a particulate respirator. Plastic visor to protect the eyes. All mucus membranes covered. And Frenkel went in to deal with someone else's mess.
Seems a woman had decided to go out of town for an extended period, and she had decided, in the interest of convenience presumably, to leave five dogs in her two-bedroom apartment. "And these were not small dogs," Frenkel says. "We're talking big dogs. She left huge tubs of water and food for them. Long story short, the dogs ganged up and killed one of the dogs. Another dog died, I don't know how. The other three got trapped in the bathroom, very small bathroom, and chewed through the hot water line. The hot water was running the entire time. One of the dogs was actually boiled to death. It was a horrible, horrible situation."
Space prevents a full recounting of how difficult the entry was because of water pressure against the bathroom door or how hazardous the flea infestation had grown or even how quickly the dog owner, upon returning to town, found herself behind bars. But two animals did survive. What was left of the other three went into the red bags and the incinerator. Such material is handled like medical waste, and its disposal is regulated by the state. Frenkel contracts with another outfit to haul it off.
Frenkel handles about 70 cases every year. Unfortunately, she regularly turns away work because she's too busy. Since she started Crime Scene Clean-Up services, other cleanup concerns have entered the industry. Some have endured, but most have moved on because, according to Frenkel, they didn't understand "it's not a pleasant thing to do." This is called an understatement.
"The only thing that keeps me going, that keeps me from burning out, is that I do a lot of praying," she says. "We pray, and we fast. You have to pray. You can't do it without God. You just can't do it. You see things that people do to each other that are just horrendous. I can't do it apart from the Lord. I really can't."
No ferns, no frills, no food (unless you count chips and peanuts) and no TV sports at this 50-year-old establishment, which is what a real, honest-to-goodness beer joint is supposed to be. Open from 10 a.m. to 2 a.m. Monday through Saturday and noon to 2 a.m. Sunday, Ship's offers $2 domestic beer and can serve from a couple of dozen brands. The stools along the bar are filled with patrons ranging in age from 21 to 71. There's a pool table and one of the best jukeboxes in Dallas, offering everything from Don Williams to Ray Charles. If they ever decide to open a Beer Joint Hall of Fame, this one's got to be in it.
You'd think, judging by the fact that pretty much every car south of Mockingbird Lane sports at least one sticker on its bumper/windshield advertising the driver's Tejano radio station of choice, this city runs on the upbeat of a conjunto soundtrack. You're probably right. The Arbitron ratings might not reflect that yet--maybe they would if Arbitron actually reported in all the areas that matter, not just North Dallas--but it's true nonetheless. Perhaps the best place to see and hear for yourself is Tejano West, the McDLT among local Tejano venues, where the cerveza is cold and the dance floor is hot. Feel free to explore others, but we guarantee your boots will scoot back to Tejano West.
Lizard Lounge is the closest thing Dallas has to Studio 54, and depending on how uptight you are, that's either a good or bad thing. OK, so it's not that close to Studio 54, but it does have everything you want in a dance club: good music (provided by, among others, Edgeclub host DJ Merritt), good-looking men and women (clad in materials usually reserved for the interiors of cars) and the good chance that you'll see at least one person with a lot less clothing than he or she walked in with. The last part isn't exactly crucial for a dance club to be entertaining, but it sure doesn't hurt. Madonna tried to buy it at one point; how much more of an endorsement do you need?
Call us naïve, but we were shocked to learn the predominantly female audience at Melissa Etheridge's recent Fort Worth concert booed when she pulled a fan onstage to share a tequila shot...because she chose a man. Being of the male persuasion ourselves, we've always felt welcome at most of the area's lesbian clubs. We've heard tales that gay places like the gargantuan Village Station and Moby Dick aren't nearly as hospitable to women. Hell, there have been nights when the Station wasn't nearly as welcoming to us as, say, its next-door neighbor, Sue Ellen's. Over the years, Sue's has admirably maintained its balancing act of charming opposites--friendly but sorta elegant, universal but very specific in its identity, streamlined but able to hold a spill-over crowd. You can walk in dressed up or dressed down and feel right at home. And the small dance floor prevails as a place for socializing, not exhibiting your gym bod or your rhythmic skills. Maybe it's just the Cowtown gals who get pissy when a guy occasionally steps into the spotlight.
Some nights end badly. Some nights end with a public humiliation by the jackboot of the state in front of the teeming crowd of your peers, the assorted boozers and ecstasy-addled clubbers of Lower Greenville. After midnight you can witness the local cheese rousting belligerents on this corner, usually stuffing them into the white paddy wagon. The best part's the public frisk--always look for signs of amusement or disgust on the cop's face.
The best alternative club this year is not the same one as last year, even though both are named Trees. Since that time, Trees has undergone a significant makeover, classing up the joint (oooh, a velvet curtain!) while making it more fan-friendly in the process. Meaning: You no longer have to crane your neck around the air conditioner if you want to watch a show from the balcony, and the same goes for downstairs, where the revamped bar doesn't obstruct anyone's view of the stage anymore. But the extensive remodeling, the new furniture and a fancy light system don't have much to do with the fact that Trees is still the best alternative club in town. The reason: music. Duh. Trees is the place where you can see and hear Mudhoney, the White Stripes, Murder City Devils, At the Drive-In, Luna, Mos Def, Mogwai, Mouse on Mars, Tortoise, Idlewild and so many more. And now you can do it all in a more comfortable environment. Don't fight it.
Not surprising that The Cavern is the best rock hangout in town, given that it's named after one of rock and roll's landmarks, the Liverpool bar where John, Paul, George and Ringo played before anyone cared who they were. But the name is almost irrelevant (at least its origin is), and so is the Fab Four décor; this isn't a theme park. The bar really is a cavern, though--dark and comfortable, exactly the kind of place where you can lose yourself for a few hours inside a tumbler full of bourbon. The jukebox is full of small treasures, and on Mondays, The Cavern spins old rock and punk classics. And nothing is more rock and roll than drinking on a Monday night.
Ricki Derek doesn't look much like Sinatra, but he sounds kinda like him and, goodness, does he bring out a quirky crowd. Under his surreal crooning the bar becomes a haven for those who would rather be disemboweled by butter knives than go to the Beagle next door. There is no stereotype for the kind of person who enjoys Sinatra impersonators; they come from all walks of life, every social strata. In the dark confines of The Cavern you'll find drug-addled hipsters, aging swingers with tacky shirts and neighborhood types having a post-barbecue pint.
At most of the jazz clubs in town, with the exception of maybe the Balcony Club, the music there is nothing more than wallpaper, something to ignore, something that you won't remember five feet outside the door. At Sambuca, however, they never let you forget that the music is the reason you're there, and if you ignore it, it's not because they didn't do their best to open your eyes and ears. There aren't enough venues in town that care about jazz one way or the other, so Sambuca makes up for quantity with quality, doing it right every step of the way, from sound to talent to ambience to anything and everything else you might think of. Sambuca, at its best, provides a little bit of old Deep Ellum, a time when jazz and blues ran Commerce, Main and Elm, not developers. It's worth a visit for that reason alone.
Built in 1911, Sons continues to be the one legit honky-tonk island in a sea of bland imitators. It's one of the few venues that still books Texas and roots-country acts, and even though the Gypsy Tea Room offers many of the same performers (the Derailers, Tish Hinojosa, etc.), there is no match for Sons' atmosphere. From the long bar and jukebox downstairs to the dance floor, folding chairs and small stage upstairs, Sons is a respite of C&W joy for those of us who still love to swing, two-step and do the longneck bob.
Blues music might not have been born in Dallas, but we definitely helped raise it. It's kind of hard to remember that time now, an era when Blind Lemon was a man (Blind Lemon Jefferson, the prince of country blues) and not a crappy bar. Leadbelly and Aaron "T-Bone" Walker lived here, played here, and if you don't know those names, get yourself to a bookstore and pick up a copy of Alan Govenar and Jay Brakefield's 1998 book, Deep Ellum and Central Track. Even if you don't know those names, well, we're sure Stevie Ray Vaughan will ring a bell. Yep, he's from here, too. You can still find the spirit, if not the talent, of those men at Hole in the Wall, which is just what the name implies. It's one-stop shopping for Dallas blues.