Best Of :: People & Places
Pierre Bradshaw's life is for the birds. Literally. Bradshaw and his wife, Anne, operate On the Wing Again, a sort of halfway house dedicated to wild bird rehab. And this is no small matter. Bradshaw says he took in some 3,000 birds last year--everything from songbirds and ducks to soaring birds of prey--for treatment, care and release back into the wild. He treats everything from poisoned songbirds to an owl pulled from the grill of a semi. Rehabilitation includes working with vets to determine injuries and treatment. About a quarter of the birds brought to him do not survive their injuries.
Yet Bradshaw insists physical rehabilitation is not the most significant part of his 11-year-old business, one that survives exclusively though donations. "In the long run the educational aspect of our organization is more important than the actual rehab," he says. On the Wing Again's educational programs are geared to spawn awareness of the ornithological residents living throughout the city and include the presentation of seven or eight live wild birds unfit for re-release into the wild for various reasons. Bradshaw says he also wants to educate the public on how to recognize when wild birds need to be brought in for care, and when to leave them alone. One of the most common mistakes people make is capturing a bird that appears to be struggling, only to discover it is a baby trying to learn how to fly.
Not surprisingly, the most common bird injuries in Dallas occur when birds--especially migrating birds--fly into the city's tall buildings. In such events, Bradshaw says he works as quickly as possible to put the injured birds back on their journey. "Sometimes they have to be transported to catch up with their migration," he says.
Perhaps the most unexpected thing to learn about Dallas' bird population is the number of birds of prey that make the skyscrapers their homes. Some, such as screech owls, even thrive in the city's environs. "They tend to live real well right in the city," he explains. "They nest in cavities and trees." In addition to owls, there are sparrow hawks, red tail hawks and great horned owls.
Bradshaw's path to North Texas birdman was unusual. A mechanical engineer by trade who configured equipment to be installed on airplanes (his wife is a librarian), Bradshaw says that he and his wife learned the rehab ropes by working with other wild bird rehabbers and sifting through books and publications. "With my wife being a librarian, we do lots of reading," he says.
No ferns, no frills, no food (unless you count chips and peanuts) and no TV sports at this 50-year-old establishment, which is what a real, honest-to-goodness beer joint is supposed to be. Open from 10 a.m. to 2 a.m. Monday through Saturday and noon to 2 a.m. Sunday, Ship's offers $2 domestic beer and can serve from a couple of dozen brands. The stools along the bar are filled with patrons ranging in age from 21 to 71. There's a pool table and one of the best jukeboxes in Dallas, offering everything from Don Williams to Ray Charles. If they ever decide to open a Beer Joint Hall of Fame, this one's got to be in it.
You'd think, judging by the fact that pretty much every car south of Mockingbird Lane sports at least one sticker on its bumper/windshield advertising the driver's Tejano radio station of choice, this city runs on the upbeat of a conjunto soundtrack. You're probably right. The Arbitron ratings might not reflect that yet--maybe they would if Arbitron actually reported in all the areas that matter, not just North Dallas--but it's true nonetheless. Perhaps the best place to see and hear for yourself is Tejano West, the McDLT among local Tejano venues, where the cerveza is cold and the dance floor is hot. Feel free to explore others, but we guarantee your boots will scoot back to Tejano West.
Lizard Lounge is the closest thing Dallas has to Studio 54, and depending on how uptight you are, that's either a good or bad thing. OK, so it's not that close to Studio 54, but it does have everything you want in a dance club: good music (provided by, among others, Edgeclub host DJ Merritt), good-looking men and women (clad in materials usually reserved for the interiors of cars) and the good chance that you'll see at least one person with a lot less clothing than he or she walked in with. The last part isn't exactly crucial for a dance club to be entertaining, but it sure doesn't hurt. Madonna tried to buy it at one point; how much more of an endorsement do you need?
Call us naïve, but we were shocked to learn the predominantly female audience at Melissa Etheridge's recent Fort Worth concert booed when she pulled a fan onstage to share a tequila shot...because she chose a man. Being of the male persuasion ourselves, we've always felt welcome at most of the area's lesbian clubs. We've heard tales that gay places like the gargantuan Village Station and Moby Dick aren't nearly as hospitable to women. Hell, there have been nights when the Station wasn't nearly as welcoming to us as, say, its next-door neighbor, Sue Ellen's. Over the years, Sue's has admirably maintained its balancing act of charming opposites--friendly but sorta elegant, universal but very specific in its identity, streamlined but able to hold a spill-over crowd. You can walk in dressed up or dressed down and feel right at home. And the small dance floor prevails as a place for socializing, not exhibiting your gym bod or your rhythmic skills. Maybe it's just the Cowtown gals who get pissy when a guy occasionally steps into the spotlight.
Some nights end badly. Some nights end with a public humiliation by the jackboot of the state in front of the teeming crowd of your peers, the assorted boozers and ecstasy-addled clubbers of Lower Greenville. After midnight you can witness the local cheese rousting belligerents on this corner, usually stuffing them into the white paddy wagon. The best part's the public frisk--always look for signs of amusement or disgust on the cop's face.
The best alternative club this year is not the same one as last year, even though both are named Trees. Since that time, Trees has undergone a significant makeover, classing up the joint (oooh, a velvet curtain!) while making it more fan-friendly in the process. Meaning: You no longer have to crane your neck around the air conditioner if you want to watch a show from the balcony, and the same goes for downstairs, where the revamped bar doesn't obstruct anyone's view of the stage anymore. But the extensive remodeling, the new furniture and a fancy light system don't have much to do with the fact that Trees is still the best alternative club in town. The reason: music. Duh. Trees is the place where you can see and hear Mudhoney, the White Stripes, Murder City Devils, At the Drive-In, Luna, Mos Def, Mogwai, Mouse on Mars, Tortoise, Idlewild and so many more. And now you can do it all in a more comfortable environment. Don't fight it.
Not surprising that The Cavern is the best rock hangout in town, given that it's named after one of rock and roll's landmarks, the Liverpool bar where John, Paul, George and Ringo played before anyone cared who they were. But the name is almost irrelevant (at least its origin is), and so is the Fab Four décor; this isn't a theme park. The bar really is a cavern, though--dark and comfortable, exactly the kind of place where you can lose yourself for a few hours inside a tumbler full of bourbon. The jukebox is full of small treasures, and on Mondays, The Cavern spins old rock and punk classics. And nothing is more rock and roll than drinking on a Monday night.
Ricki Derek doesn't look much like Sinatra, but he sounds kinda like him and, goodness, does he bring out a quirky crowd. Under his surreal crooning the bar becomes a haven for those who would rather be disemboweled by butter knives than go to the Beagle next door. There is no stereotype for the kind of person who enjoys Sinatra impersonators; they come from all walks of life, every social strata. In the dark confines of The Cavern you'll find drug-addled hipsters, aging swingers with tacky shirts and neighborhood types having a post-barbecue pint.
At most of the jazz clubs in town, with the exception of maybe the Balcony Club, the music there is nothing more than wallpaper, something to ignore, something that you won't remember five feet outside the door. At Sambuca, however, they never let you forget that the music is the reason you're there, and if you ignore it, it's not because they didn't do their best to open your eyes and ears. There aren't enough venues in town that care about jazz one way or the other, so Sambuca makes up for quantity with quality, doing it right every step of the way, from sound to talent to ambience to anything and everything else you might think of. Sambuca, at its best, provides a little bit of old Deep Ellum, a time when jazz and blues ran Commerce, Main and Elm, not developers. It's worth a visit for that reason alone.
Built in 1911, Sons continues to be the one legit honky-tonk island in a sea of bland imitators. It's one of the few venues that still books Texas and roots-country acts, and even though the Gypsy Tea Room offers many of the same performers (the Derailers, Tish Hinojosa, etc.), there is no match for Sons' atmosphere. From the long bar and jukebox downstairs to the dance floor, folding chairs and small stage upstairs, Sons is a respite of C&W joy for those of us who still love to swing, two-step and do the longneck bob.
Blues music might not have been born in Dallas, but we definitely helped raise it. It's kind of hard to remember that time now, an era when Blind Lemon was a man (Blind Lemon Jefferson, the prince of country blues) and not a crappy bar. Leadbelly and Aaron "T-Bone" Walker lived here, played here, and if you don't know those names, get yourself to a bookstore and pick up a copy of Alan Govenar and Jay Brakefield's 1998 book, Deep Ellum and Central Track. Even if you don't know those names, well, we're sure Stevie Ray Vaughan will ring a bell. Yep, he's from here, too. You can still find the spirit, if not the talent, of those men at Hole in the Wall, which is just what the name implies. It's one-stop shopping for Dallas blues.