Time Magazine calls it one of the top five professional theaters for kids in the nation. But at any performance in the gorgeous, audience-friendly acting spaces at the 58,000-square-foot Rosewood Center for Family Arts, more than half the crowd will be happy grown-ups, many seeing the show without any children in tow. That's how good they are here. Founded by Robyn Flatt (daughter of Dallas Theater Center pioneer Paul Baker), DCT goes all out on every production, casting the best actors, using top directors and spending what it takes to make shows artistically masterful. While other theaters struggle to sell tickets, DCT plays to packed houses, garnering international acclaim (they took their tour version of The Stinky Cheese Man to China this month for the 2006 Shanghai International Children's Culture and Arts Expo). In their theater education classes, they're developing young theater lovers, for which all theaters should be eternally grateful. Financially, it's in great shape too. And they do have eyes for talent. Emerson Collins, who co-starred in the road tour of Southern Baptist Sissies at the Majestic recently, got his start as a teen at DCT, playing Hans Brinker. On this season's DCT lineup, catch Night of the Living Dead (October 13 to November 4), The Velveteen Rabbit (November 17 to December 17) and The Miracle Worker (January 26 to February 18).
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