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  • Article

    The year's top albums by Texas artists

    Too Far to Care, The Old 97's (Elektra Records). Lost in the Land of Texico, Tom Faulkner (Serrano Records). ear X-tacy II, Andy Timmons (oo/Sony Japan). The Land of Freedom and Pleasure, The Hollisters (Freedom Records). Marchel Iver...

    by Rick Koster on January 8, 1998
  • Article

    Roadshows

    Soul brother Stevie Ray Vaughan died just as he was becoming the great guitar player the cult of millions always insisted he was--not just a man who could play faster than God, not just an acolyte who could turn ancient riffs into tomorrow's temp...

    by Robert Wilonsky on January 1, 1998
  • Article

    Zac Crain's Top 10 National Albums:

    OK Computer, Radiohead (Capitol) Tone Soul Evolution, The Apples in Stereo (SpinART) Urban Hymns, The Verve (Hut/Virgin) The Wannadies, The Wannadies (RCA) Nimrod, Green Day (Reprise) Retreat From The Sun, That Dog (DGC) Reven...

    by Zac Crain on January 1, 1998
  • Article

    Ten albums I played a lot in 1997

    Buddy Miller, Poison Love (Hightone Records) Lonesome Bob, Things Fall Apart (Checkered Past Records) Steve Earle, El Corazon (E-Squared/Warner Bros. Records) Ray Wylie Hubbard, Dangerous Spirits (Rounder Records) R.B. Morris, Take Th...

    by Rob Patterson on January 1, 1998
  • Article

    Robert Wilonsky's best albums of 1997

    Richard D. James, Aphex Twin (Elektra Records). The revolution starts and stops here: This is techno music, noise as melody, static as pleasure, pleasure as pain. As whimsical as it is menacing. Everything I Touch Runs Wild, Lori Carson (Restless R...

    by Robert Wilonsky on January 1, 1998
  • Article

    Rock and roll over - In today's music business, tomorrow's revolution is yesterday's fad

    How do you experience a year? Can a person ever shed his innate subjectivity and perceive or appreciate something on a different level than he would a warm, fuzzy sweater, a pork chop, or a long car trip? It doesn't really matter; nobody's going to p...

    by Keven Mcalester on January 1, 1998
  • Article

    Out Here

    Q and the Black Martin Q and the Black Martin Moondog Records Challenging and confounding the listener is a dangerous path: You might be as weighty as Bone Machine-era Tom Waits, yes, but you could also end up as annoying as faux-lounge act...

    by Matt Weitz on December 25, 1997
  • Article

    Out There

    Finally in front Transplanting Elaine Summers Loosegroove Records Pete Droge and his band the Sinners offered up one of the best releases of 1996 in Find a Door, an album of slightly skewed rock. Helping out was the potent voice of Elaine...

    by Matt Weitz on December 25, 1997
  • Article

    Cry tough - Essential bassist Tommy Shannon hangs in there

    Tommy Shannon and his wife, Kumi, are raising four elegant horses--three of them Trakehners, an athletic European breed--on their Austin ranch. This land, where the Shannons have recently settled, spills out into unspoiled Hill Country. With just a b...

    by Josh Alan Friedman on December 25, 1997
  • Article

    Roadshows

    The original Motor City Madman Mitch Ryder--one of the best, if not the authentic, white-boy soul belter and architect of the high-energy "Detroit sound" --has made more comebacks than a boomerang. His early fame was built with the Detroit Wheels...

    by Matt Weitz on December 25, 1997
  • Article

    Gathering steam - Brian Houser hopes that a new album will add momentum to his career

    Brian Houser has quite a view from his workplace; his job as a carpenter, responsible for maintaining the aptly named Texas Giant roller coaster at Six Flags, can take him up to 143 feet in the air. You can't see both Dallas' and Fort Worth's skyline...

    by Matt Weitz on December 25, 1997
  • Article

    Lex and Terry's wet dream - Can two transplants from the land of Lynyrd Skynyrd and fart smells find the key to radio fame at Dallas' Q102?

    Michael Lile stood patiently outside the gate of the grand prix racetrack inside the Malibu SpeedZone in North Dallas, intently watching pint-sized cars wheel around the track in their fervid race to post the fastest time on the house clock. Beh...

    by Rose Farley on December 18, 1997
  • Article

    Roadshows

    It's a family affair What do the Dallas Cowboys and one of the area's hottest Tejano bands have in common? Not much, other than the fact that tackle Tony Casillas and local Tejano stars La Tropa F will be teaming up to provide a little night musi...

    by Bruce Cameron on December 18, 1997
  • Article

    Close to the bone - Tom House's backwoods sound carries essential sparks

    The chorus is delivered with a sing-songy cadence that sounds almost like a nursery rhyme; the voice, accompanied by mandolin and acoustic guitar, is so utterly country in its inflections, it could pass for backwoods--sharp and nasal: alleluia c...

    by Matt Weitz on December 18, 1997
  • Article

    Out There

    Loud and clear I Couldn't Hear Nobody Pray The Fairfield Four Warner Brothers Records Black gospel singing at its best is transcendent--a striking contrast to the travails of African-Americans--and the Nashville-based Fairfield Four (in f...

    by Rob Patterson on December 18, 1997
  • Article

    Tejano outsiders define what's in - La Mafia continue to break barriers even as their industry ignores them

    "I would say we're probably the Rolling Stones of our music, because we've been around a long time," says Oscar de la Rosa, lead singer of La Mafia, one of Tejano music's biggest acts. It's an awfully grand comparison to make, but de la Rosa has neve...

    by Rob Patterson on December 18, 1997
  • Article

    Out Here

    Don't fence me in Lift to Experience Lift to Experience Random-Precision Records Smoothie Sandwich Lung Cookie Records One of the bastard children of music criticism is labels, the stifling shorthand used to sum up any hard-to-d...

    by Zac Crain on December 18, 1997
  • Article

    Yuletide resuscitation - Big Iron comes back for another round

    Christmas is a time for gentle reflection on good times past--and perhaps even the wiping away of a nostalgic tear, so the cover of Honkey-Tonk Holidays (Christmas in Deep Noellum) is particularly poignant: now-passed nightspot Naomi's, all aglow wit...

    by Matt Weitz on December 18, 1997
  • Article

    Prometheus unbound - The boxed set of Charles Mingus' Atlantic years

    Nobody struck at the soul of jazz like Charles Mingus. His music raged with paradoxical fury: intense yet funny, demonic yet spiritual, chaotic yet carefully arranged. That was Mingus. Oh, yeah. His autobiography, Beneath the Underdog, reveals a tort...

    by Jonathan Eig on December 11, 1997
  • Article

    Roadshows

    Let us now praise local bands It's been a veritable roller coaster of a year for the Old 97's: big-name attention, major-label foofaraw, and the derision of Whiskeytown's resident know-it-all and professional butthead David Ryan Adams (what is that...

    by Matt Weitz on December 11, 1997
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