Ten years ago, Robert Harris picked up the phone to find on the other end a relative stranger bearing extraordinary news. This man was at a film exchange in Toronto, where movies are housed and rented out to exhibitors, and he was holding in his hands canisters of film containing what Harris considered something akin to the Holy Grail: a pristine, uncut 70mm print of John Wayne's initial directorial effort and the Duke's... More >>>
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