"I've been lucky in that I've always worked with writers whose voices are so specific that there really isn't any way to recalibrate things without them being intimately involved," says Steven Soderbergh as he swivels in a chair in the happily cluttered Flatiron District loft space that doubles as his office and painting studio. On this particular morning, one of those writers, Scott Z. Burns, is seated to Soderbergh's left, ready to join in... More >>>
Nicolas Genin / Wikimedia Commons
Steven Soderbergh: "One of the things that I do when we're editing is, three or four times a week I watch the whole film from beginning to end. Nothing will cure you faster of being in love with your own stuff than that."