While nationally acclaimed acts such as Denton's Sarah Jaffe went from folkie to dance-party host and Midlake went from Fleetwood Mac revivalists to flute-piping British balladeers, True Widow have remained inside their gloomy, pounding world of ominous reverb since 2007. Reinvention of one's sound can be admirable, risky and, in the hands of the right artists (see the aforementioned Jaffe), rewarding. Still, there's more than a little to be said for a band that continues to march ever more effectively... More >>>