Gregor-Jotace Mission Cathedral's driving rhythms and building/fading waves of feedback and noise give it an exciting sense of urgency that makes it a fun listen. But even with the band's unique approach to the banjo (and with Collins sometimes switching to acoustic guitar), GJMC drags as songs start to sound alike. Though it's less than 40 minutes long, you won't be tempted to let it repeat. But you'll want to hear it again the next day.
Collins sometimes affects a Tom Waits talk-singing style with the gravelly quality of a drunken smoker who's spent the last six hours shouting over a loud jukebox. That along with the group's distorted modern take on the timeless sounds of banjo and acoustic guitar makes comparisons to Waits almost inevitable; because the band's name references artwork on Heartattack and Vine, I doubt they mind.
