Alfred Hitchcock

AFI Fest Releases Lineup of Films and Guest List. Oh, Look: The Guy From Office Space

Like Herding Sheep

De Niro takes a loooong, sloooow look at the history of the CIA

Terror-bly funny

Pocket Sandwich Theatre stirs up a boo-ha-ha with It's a Scream!

Where there's a Will

Will Clarke has a deal with a New York publisher and a Hollywood studio, and it only took him eight years to become an overnight success

The Real World

The Dallas Video Festival shows all the news not fit for print

Kill Wil

Lone Scherfig yanks our chains with a darkly comic meditation on love and suicide

Nobody's Fool

He has three Oscars, co-wrote Bonnie and Clyde and Paul Newman digs him. So why don't you know Dallas-born filmmaker Robert Benton?

Terror Firmer

In The Dancer Upstairs, Bardem is the quiet amid the violence

Of Boobs and Blood

Troma's Lloyd Kaufman has guts, all over the floor

Live Long, Prosper

Jim Kirk didn't die. Bill Shatner just got scared to death.

Lazarus, Reborn

Peter Bogdanovich wasn't dead. He was just acting like it.

Dust to Dust

Once more, a man calls upon the troops to save The Alamo, before it's gone forever

Zzzzzz-men

Marvel's mutants are a modest squad of dullards in this frustrating adaptation

Mission accomplished

Sequel-itis infects Cruise's M:I-2, but not fatally

Fangs a lot

The Mystery of Irma Vep vamps the vampire-movie genre splendidly

I don't want my MP3

Or: How the Internet could kill the album

The Goal Line

If Blackie Sherrod's just another writer, then Wilt Chamberlain was just another center

Sins of the playwright

Isaac retells an Old Testament tale as a family coming to terms with its dysfunctionality

Night & Day

February 25 - March 3, 1999

Retouching Evil

Using Detailed instructions left by Orson Welles, top film editor Walter Murch has remade "The Best b-Movie ever" -- Welles' Touch of Evil

Twin towers

Travolta and Cage reveal Face/Off is more than skin-deep

Events for the week

Travolta and Cage reveal Face/Off is more than skin-deep

Events for the week

Travolta and Cage reveal Face/Off is more than skin-deep

They shoot movies, don't they?

Sydney Pollack does -- and his reliable, sturdy movies earn him this year's Great Director Award

Magnificent obsession

The films of Great Director honoree Paul Schrader mix art-house intelligence with B-movie grit