Subject:

Bernie Mac

  • Calendar

    March 12, 2009

    Consider Yourself Entertained

    Cedric hits the stage at Nokia

  • Blogs

    August 10, 2008
  • Film

    July 5, 2007

    Auto-Chaotic

    As giant robots transform all around us, it's good to know Michael Bay won't ever change

  • Film

    June 7, 2007

    The House Always Wins

    Ocean's Thirteen is a washed-up threequel. How much you wanna bet Hollywood makes a bundle?

  • Calendar

    March 29, 2007
  • Calendar

    January 11, 2007
  • Music

    September 1, 2005

    Kanye West

    Late Registration (Roc-A-Fella)

  • Film

    March 24, 2005

    Who'd Guess?

    Can it be that Bernie and Ashton are better than Spencer and Sidney?

  • Film

    December 9, 2004

    Faker's Dozen

    A rare superior sequel, Ocean's Twelve entertains with cinematic sleight of hand

  • Film

    November 27, 2003

    The "S" Word

    Bad Santa is crude and rude and the jolliest Christmas movie ever

  • Film

    June 26, 2003

    Fallen Angels

    Charlie's high-flying heroines kick ass, but not the sequel syndrome

  • Film

    May 8, 2003

    Mr. Mom

    Eddie Murphy plays Daddy, once more, and it becomes him

  • Culture

    December 26, 2002

    Fear Factor

    But just think, no one hates TV more than Trent Lott

  • Calendar

    March 14, 2002

    Funny and the Bunny

    Fox keeps its place as best and worst network with three new shows

  • Film

    January 3, 2002

    Are You In or Out?

    Or, one man's passion for Clooney, killers, kooks and corn

  • Culture

    December 27, 2001

    Sly Foxx

    He steals Ali, but will Hollywood give Jamie Foxx a shot at the title?

  • Film

    December 6, 2001

    Ocean's Eleven, Give or Take

    Soderbergh and Clooney knock over Vegas without much to show for it

  • Film

    August 17, 2000

    Kingdom Comedy

    Spike Lee takes a fresh and gloriously unpolished look at black standup talent

  • Film

    April 9, 1998

    Mean streets

    Ice Cube's The Players Club takes African-American film to a new, deeply sexist low point

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