It's time to rank the best of what went around and came around again. BILLY JOEL The Stranger (Columbia/Legacy) As punk and disco exploded, the Piano Man's deeply unhip 1978 breakthrough proved that top-shelf Broadway/Brill Building songwriting could still sell - and, occasionally, rock. "Scen ... More >>
It's time to rank the best of what went around and came around again. BILLY JOEL The Stranger (Columbia/Legacy) As punk and disco exploded, the Piano Man's deeply unhip 1978 breakthrough proved that top-shelf Broadway/Brill Building songwriting could still sell - and, occasionally, rock. "Scen ... More >>
It's time to rank the best of what went around and came around again. BILLY JOEL The Stranger (Columbia/Legacy) As punk and disco exploded, the Piano Man's deeply unhip 1978 breakthrough proved that top-shelf Broadway/Brill Building songwriting could still sell - and, occasionally, rock. "Scen ... More >>
It's time to rank the best of what went around and came around again. BILLY JOEL The Stranger (Columbia/Legacy) As punk and disco exploded, the Piano Man's deeply unhip 1978 breakthrough proved that top-shelf Broadway/Brill Building songwriting could still sell - and, occasionally, rock. "Scen ... More >>
It's time to rank the best of what went around and came around again. BILLY JOEL The Stranger (Columbia/Legacy) As punk and disco exploded, the Piano Man's deeply unhip 1978 breakthrough proved that top-shelf Broadway/Brill Building songwriting could still sell - and, occasionally, rock. "Scen ... More >>
It's time to rank the best of what went around and came around again. BILLY JOEL The Stranger (Columbia/Legacy) As punk and disco exploded, the Piano Man's deeply unhip 1978 breakthrough proved that top-shelf Broadway/Brill Building songwriting could still sell - and, occasionally, rock. "Scen ... More >>
It's time to rank the best of what went around and came around again. BILLY JOEL The Stranger (Columbia/Legacy) As punk and disco exploded, the Piano Man's deeply unhip 1978 breakthrough proved that top-shelf Broadway/Brill Building songwriting could still sell - and, occasionally, rock. "Scen ... More >>
It's time to rank the best of what went around and came around again. BILLY JOEL The Stranger (Columbia/Legacy) As punk and disco exploded, the Piano Man's deeply unhip 1978 breakthrough proved that top-shelf Broadway/Brill Building songwriting could still sell - and, occasionally, rock. "Scen ... More >>
It's time to rank the best of what went around and came around again. BILLY JOEL The Stranger (Columbia/Legacy) As punk and disco exploded, the Piano Man's deeply unhip 1978 breakthrough proved that top-shelf Broadway/Brill Building songwriting could still sell - and, occasionally, rock. "Scen ... More >>
It's time to rank the best of what went around and came around again. BILLY JOEL The Stranger (Columbia/Legacy) As punk and disco exploded, the Piano Man's deeply unhip 1978 breakthrough proved that top-shelf Broadway/Brill Building songwriting could still sell - and, occasionally, rock. "Scen ... More >>
It's time to rank the best of what went around and came around again. BILLY JOEL The Stranger (Columbia/Legacy) As punk and disco exploded, the Piano Man's deeply unhip 1978 breakthrough proved that top-shelf Broadway/Brill Building songwriting could still sell - and, occasionally, rock. "Scen ... More >>
It's time to rank the best of what went around and came around again. BILLY JOEL The Stranger (Columbia/Legacy) As punk and disco exploded, the Piano Man's deeply unhip 1978 breakthrough proved that top-shelf Broadway/Brill Building songwriting could still sell - and, occasionally, rock. "Scen ... More >>
It's time to rank the best of what went around and came around again. BILLY JOEL The Stranger (Columbia/Legacy) As punk and disco exploded, the Piano Man's deeply unhip 1978 breakthrough proved that top-shelf Broadway/Brill Building songwriting could still sell - and, occasionally, rock. "Scen ... More >>
It's time to rank the best of what went around and came around again. BILLY JOEL The Stranger (Columbia/Legacy) As punk and disco exploded, the Piano Man's deeply unhip 1978 breakthrough proved that top-shelf Broadway/Brill Building songwriting could still sell - and, occasionally, rock. "Scen ... More >>
It's time to rank the best of what went around and came around again. BILLY JOEL The Stranger (Columbia/Legacy) As punk and disco exploded, the Piano Man's deeply unhip 1978 breakthrough proved that top-shelf Broadway/Brill Building songwriting could still sell - and, occasionally, rock. "Scen ... More >>
It's time to rank the best of what went around and came around again. BILLY JOEL The Stranger (Columbia/Legacy) As punk and disco exploded, the Piano Man's deeply unhip 1978 breakthrough proved that top-shelf Broadway/Brill Building songwriting could still sell - and, occasionally, rock. "Scen ... More >>
It's time to rank the best of what went around and came around again. BILLY JOEL The Stranger (Columbia/Legacy) As punk and disco exploded, the Piano Man's deeply unhip 1978 breakthrough proved that top-shelf Broadway/Brill Building songwriting could still sell - and, occasionally, rock. "Scen ... More >>
It's time to rank the best of what went around and came around again. BILLY JOEL The Stranger (Columbia/Legacy) As punk and disco exploded, the Piano Man's deeply unhip 1978 breakthrough proved that top-shelf Broadway/Brill Building songwriting could still sell - and, occasionally, rock. "Scen ... More >>
It's time to rank the best of what went around and came around again. BILLY JOEL The Stranger (Columbia/Legacy) As punk and disco exploded, the Piano Man's deeply unhip 1978 breakthrough proved that top-shelf Broadway/Brill Building songwriting could still sell - and, occasionally, rock. "Scen ... More >>
It's time to rank the best of what went around and came around again. BILLY JOEL The Stranger (Columbia/Legacy) As punk and disco exploded, the Piano Man's deeply unhip 1978 breakthrough proved that top-shelf Broadway/Brill Building songwriting could still sell - and, occasionally, rock. "Scen ... More >>
It's time to rank the best of what went around and came around again. BILLY JOEL The Stranger (Columbia/Legacy) As punk and disco exploded, the Piano Man's deeply unhip 1978 breakthrough proved that top-shelf Broadway/Brill Building songwriting could still sell - and, occasionally, rock. "Scen ... More >>
Another historic emblem of black Dallas stands on the brink
Ken Burns wants you to know why Jazz is America's music
Ken Burns wants you to know why Jazz is America's music
Ken Burns wants you to know why Jazz is America's music
The photos of Gordon Parks register a world of opposites and extremes
Our critics survey the local art scene
Our critics survey the local art scene
It's free jazz night at the Meadows
Long live the Duke
Long live the Duke
Troma's Lloyd Kaufman has guts, all over the floor
Joe Jackson got the band back together, after saying it would never happen
The Dallas Symphony Orchestra combines cultures in weekend concert series
No script, no plot. Who cares? Blues in the Night hits all the right notes.
Dallas Theater Center shows its Blues in the Night
Scorpion is fun if familiar, one of Woody's typical Manhattan riffs
Any major dude will tell you a Steely Dan story is not to be trusted
With his new book and live CD, Joe Jackson fans can finally get what they want
With his new book and live CD, Joe Jackson fans can finally get what they want
DTC's Dinah Was strikes a jaunty balance between decay and delirious musical celebration
The Cornell Hurd Band is in it for the long haul
Bronco Bowl, August 5
Caravan of Dreams
Fort Worth
Cibo Matto gets out of the kitchen and fries up the national prize
Baboon kicks Chuck Norris' ass in a Deep Ellum club...sort of
Big Al Dupree makes his recording debut after 72 years
A beer tasting event like last Saturday's Fall Beer Festival at the Fort Worth Flying Saucer is an easy way to try several new beers at once, hang out with fellow beer people and see a lot of hilarious T-shirts. However, as I discovered, it's also an easy way to get a bad impression of a beer for ... More >>
Only a few days ago, Tom Merriman was inducted into the Texas Radio Hall of Fame -- the great Ron Chapman's introduction of the local-radio icon can be heard here. Says Chapman of Gordon McLendon's former music director, who came to Dallas in 1952, Merriman "shaped the sound of thousands of telev ... More >>
