It's time to rank the best of what went around and came around again. BILLY JOEL The Stranger (Columbia/Legacy) As punk and disco exploded, the Piano Man's deeply unhip 1978 breakthrough proved that top-shelf Broadway/Brill Building songwriting could still sell - and, occasionally, rock. "Scen ... More >>
Come Away With Me (Blue Note)
The Winedale Tavern has an eclectic clientele. And at least one impostor.
Ken Burns wants you to know why Jazz is America's music
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How Richard Linklater and the Bad Livers bucked the trend of soundtraxploitation
Van Dyke Parks, the eternal odd man out, finally comes out to play
The industry aims for the heart of Christmas-- with a shotgun