Adam Sandler plays a 9/11 widower and finally nails a somber role
When Tom Cruise plays the bad guy, the results aren't very good
Revolutions runs a playful joyride through a nifty vision of hell
Whoa, but is The Animatrix art or commerce?
Ali lands a few solid blows, but, sadly, it's no knockout
Spike Lee's new racial satire starts out strong but loses its way
