Established musicians composing film scores is nothing new. Some of the best scores of the last 50 some odd years have come from pop stars: Dylan's score for Pat Garrett & Billy the Kid, Danny Elfman's whole career and Queen's legendary Flash Gordon score. With the rise of various indie studios worl ... More >>
Exploring the frontiers of trust in 19th-century Oregon.
I hadn't seen Alex Cox's Straight to Hell since forever, but Barak Epstein at the Texas Theatre was kind enough to provide a copy yesterday in advance of its re-appearance at the Oak Cliff movie house tomorrow night -- the first of four nights paying homage to the filmmaker. Well, technically, it ... More >>
If you've yet to see a movie at the Texas Theatre, which recently began showing classic and foreign-language films after too long in the dark, tonight would be a good time to check it out. At 7:30 they'll screen Gerardo Naranjo's I'm Gonna Explode, which opened in New York last summer but never g ... More >>
Thursday, June 12, at The Loft
There is no gold at the end of this terrible flick
Brad Pitt and Casey Affleck in an epic movie that's as stylized as it is insane
The Modern runs with the Dogs
Beautifully moody, Lonesome Jim is just what you'd expect from Steve Buscemi
Michael Winterbottom's adaptation of a classic loads on the Bull
Bill Murray is an aging Don Juan revisiting former loves in Broken Flowers
Under Blackpool Lights (V2)
Creative Solutions turns at-risk into artistic
Jackie Chan takes a long trip, and it feels like déjá vu
Jim Jarmusch serves the perfect blend: Coffee and Cigarettes
The American Astronaut trashes the galaxy
Floored offers a reminder that irony isn't just about bringing the funny
For 10 years, Joe Strummer made little noise. Finally, the Clash front man returns with a record he can call his own.
In The Pantalone Follies, imitation is the sincerest form of flattery
Director Darren Aronofsky makes films that resemble himself: smart and abrasive
Who says 2000 was a bad year for music?
A good idea...in theory
The Icelandic pop icon is the best thing in the mostly horrid Dancer in the Dark
Forest Whitaker brings an adopted honor code to the streets as Ghost Dog
Dallas-based Regent Entertainment vies to become a Hollywood player, and it's off to an Oscar-winning start
If you ain't art-house hip, better leap over this Frog
April 15-21, 1999
In the spirit of Chaplin, Roberto Benigni takes on the Holocaust in Life Is Beautiful
Usual suspects, small wonders, and the new Bertolucci at the Montreal and Toronto film fests
Marc Ribot and his Prosthetic Cubans are Habana good time
Time is on nobody's side--including the filmmakers'-- in Clockwatchers
During South by Southwest, the harsh reality is always a free drink away
A look into the still-beating heart of an enduring rock institution
With subUrbia, the director of Slacker has finally become one
Small films have their big night in '96
Tales takes a misty mountain hop through the truth
Eccentric directors Sam Fuller and Henry Jaglom make brilliant bookends
Kevin Smith's Mall Rats is a derivative retread of Clerks
Can four young Dallas filmmakers sell their dream-and still keep their souls? Matt Zoller Seitz follows the trail of Bottle Rocket
Clunky and dull, Before Sunrise is gifted Texas filmmaker Richard Linklater's first failure
Clerks turns dysfunctional lives into 80 minutes of tedium
