Paul Thomas Anderson creates an epic gusher
Silver City plants a shrub where it wants to dig up a Bush
In 1988, Ron Shelton made Bull Durham. In 2002, it couldn't be done.
Preston Lane leaves Dallas with The Night of the Iguana
Three photographers choose Spain and Latin America as their subjects, with breathtaking results
Vincent D'Onofrio may be the best actor of his generation, but who would notice?
Hollywood mainstream in the slipstream: hits, misses, remakes, and blasts from the past
Thirty years ago, Curtis Cokes was the world-champion welterweight. Now, he trains young boxers and just wants to be recognized in his hometown.
Altman uses his magic to distract us from the same old Grisham-isms in The Gingerbread Man
How Curtis Hanson turned James Ellroy's epic crime novel L.A. Confidential into one of the year's best films
Sydney Pollack does -- and his reliable, sturdy movies earn him this year's Great Director Award
Dallas congressman Bryant moves to bar 'defacement' of movies
Texas journalism loses a great writer and friend in Grover Lewis
Kiss of Death fires blanks in an increasingly tough crime saga competition
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