Steven Soderbergh and Scott Z. Burns talk Side Effects -- and collaboration.
The bigger and better mousetraps of Paul W.S. Anderson
Everyone's favorite Victorian detective gets a Bond makeover.
Issue flick comes across as a PSA for film preservation.
Steven Soderbergh turns the star-studded Hollywood disaster flick on its head.
According to a press release that apparently went out to every media outlet in the world today, Dallas' own Norah Jones has a new album coming out in November--her fourth overall, and first in two years. After the jump, the press release in full, since it features some Jones quotes on the new, as ... More >>
Michael switches roles at the Modern
Art imitates life as U.S. directors command this year's fest, with only China rivaling for celluloid domination.
Jude Law gets his urban renewal on in Minghella's dramatic dud
The awful truth about Nancy Meyers
Faithful King's adaptation drowns in ponderous metaphors
Ledger plays it straight as Casanova's lustful lead
Why the best films of 2004 look like indies but aren't
In a year when small movies came up big, picking the best was a Payne
Howard Hughes gets what he wants, in this case a fun and loving biopic
Jim Carrey's in fine form, but the rest of Snicket is less fortunate
Urban savages wage war over sex in Mike Nichols' dreadfully funny new film
Jude Law's Alfie puts a pretty face on what was an ugly story
Oscar goes to DTC for classic British comedy in The Importance of Being Earnest
Searching for the meaning of life in a movie that barely exists
Stephen Fry masterfully transcribes the wit of Waugh to the big screen
Sky Captain zooms back to a tomorrow that never was
A gay movie buff takes tips from Cary Grant
In a year of big-screen sadness, our critics comfort those who triumphed
Cold Mountain sets the new standard for Civil War drama onscreen
Two theater companies vie for one audience
Simone isn't a real actress, but Simone isn't a real movie
Hanks and Newman are on the bloody and brilliant Road to Perdition
Spielberg and Kubrick had a weird little kid, and its name is A.I.
At the Gates, a gripping showdown is bungled by a love triangle
With a (mostly) top-notch lineup, Outtakes Dallas 2000 details how normal (and screwed up) we all are
Matt Damon proves quite The Talented Mr. Ripley -- but he overstays his welcome
David Cronenberg finds a new place to stick it in eXistenZ
Heavy-handed direction plows under Midnight in the Garden of Good and Evil