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Subject: Julian Schnabel

  • What You Lookin' At? Oh, I See -- the AFI Dallas Complete Lineup.

    March 5, 2008
  • The singer, not the song

    August 29, 1996
  • Like a rolling stone

    February 25, 1999
  • Echoes and Reverberations: You Shoot, We Score

    Texas music looks great. It provokes the imagination and illustrates the intangible. For years, we've been providing the necessary flavor to help filmmakers tell their stories. It's what we do; we're obviously good at this kind of thing. And it goes both ways: Movie soundtracks are the kind of thing that can break an artist or spark a career. The late Elliott Smith and his musical contributions to the film Good Will Hunting provide a good case in point. Honestly, had anybody heard of him yet at

    February 27, 2009
  • Play on Point of View in Diving Bell

    Julian Schnabel sees only treacle in the story that inspired his Diving Bell

    December 27, 2007
  • Palm d'Hoberman

    Our one-man jury bestows honors on the best of Cannes 2007.

    May 31, 2007
  • Wall of Blight

    Sean Scully's paintings at the Fort Worth Modern are retrograde

    March 30, 2006
  • Non-fat Greek Wedding

    Brides run circles around doomed grooms in DTC's rough 'n' tumble Big Love

    March 6, 2003
  • Marked Cuban

    Before Night Falls recounts the grim, brave life of persecuted gay writer Reinaldo Arenas

    February 8, 2001
  • Consider the Copycat

    They're not all bad, as 500X's crop of new artists makes abundantly clear

    January 11, 2001
  • Brushstroke of genius

    Painting is alive and well at the new Dallas Visual Art Center

    September 23, 1999
  • House of not enough

    The Modern's new House of Sculpture is a tour through three dimensions that leaves you wanting more

    June 17, 1999