Subject:

Leah Spillman

  • Blogs

    February 17, 2012

    Kitchen Dog Theater's Collapse Builds a Bridge between Hope and Fear

    Sometimes a play is worth seeing for the words the actors are saying. Sometimes it's for the actors saying the words. See Collapse, a new play by Allison Moore at Kitchen Dog Theater, for the red hot performance by actor Michael Federico, the closest Dallas theater has to a Paul Giamatti-style chara ... More >>

  • Culture

    February 9, 2012

    Coyote and Collapse Twist Real-life Drama into Dark Comedy

    Sometimes a play is worth seeing for the words the actors are saying. Sometimes it's for the actors saying the words. See Collapse, a new play by Allison Moore at Kitchen Dog Theater, for the red hot performance by actor Michael Federico, the closest Dallas theater has to a Paul Giamatti-style chara ... More >>

  • Culture

    November 26, 2009

    Crushing Grain and Slasher Blend Violence And Dark Comedy With Mixed Results

    Sometimes a play is worth seeing for the words the actors are saying. Sometimes it's for the actors saying the words. See Collapse, a new play by Allison Moore at Kitchen Dog Theater, for the red hot performance by actor Michael Federico, the closest Dallas theater has to a Paul Giamatti-style chara ... More >>

  • Culture

    October 25, 2007

    Review: Night of the Living Dead

    Knock, knock? Ghouls there in DCT's bloody good Dead

  • Culture

    April 12, 2007

    Imaginary Fiends

    Mr. Marmalade, Lawrence & Holloman buddy up to the absurd; Parade's a main drag

  • Culture

    September 28, 2006

    Swine and Roses

    Fat Pig makes weight an issue in romance; Vieux Carré revisits old New Orleans

  • Culture

    November 3, 2005

    Raunch Dressing

    Debbie does naughty things at Kitchen Dog Theater; Danny goes deeper at WingSpan

  • Culture

    June 10, 2004

    Museum Quality

    Permanent Collection paints the art world black and white at Kitchen Dog Theater

  • Culture

    February 19, 2004

    Sins of the Father

    Classical Acting Company digs deep with All My Sons; at KDT, a muddled Much Ado

  • Culture

    February 21, 2002

    One, Two, Three, Gag

    Rebound and Gagged chokes on its own familiar, formulaic cuteness

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