New plays feel long and come up short on ideas at ongoing FIT fest.
Chinese Art gets another placement
Working-class Hispanics and opinionated vaginas mark this year's Festival of the Unexpected
Richard Hamburger transformed the Dallas Theater Center into a regional marvel, but as he faces a million dollar debt and a host of angry critics, is it curtains for his daring vision?
Theatre Too's No Exit is no torture at all
DTC's ambitious Sternheim Project roasts the rise of the middle class
A few theater companies cry out in the wilderness of Dallas' stage scene
Melissa Cooper creates the most ambitious Festival of the Unexpected to date
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