Subject: Paris (Texas)

• Good Hunter

  November 10, 2006

• Where's Wicko?

  January 3, 2008

• To Cuba and back

  A trip to Wenders' Buena Vista Social Club is nothing short of heavenly

  June 17, 1999

• The Morse code

  March 21, 1996

• Events for the week

  May 30, 1996

• The Hare, The Tortoise

  December 5, 1996

• Bar chords

  May 29, 1997

• Get real

  December 4, 1997

• Guts 'R' us

  June 18, 1998

• Deep Ellum LIVES!

  September 11, 2008

• Sob Story

  Buzz sheds a tear for 2003

  January 1, 2004

• Review: The Club Dining & Drinks

  Shake, baby, shake

  October 25, 2007

• Scene, Heard

  Manson takes on Weathermen

  December 7, 2000

• Almost Famous

  Dallas' other quarterback content with triumphant anonymity

  June 21, 2007

• Knockoff

  A German new waver resorts to tired old tricks

  April 6, 2006

• Paris, Texas

  Wednesday, September 8

  September 2, 2004

• Country in Crisis

  Plus: War,the Sequel; French? Toast!

  March 27, 2003

• The Basquiat Syndrome

  Trenton Doyle Hancock benefits from the art world's peculiarly cynical twist on affirmative action

  October 25, 2001

• Not Necessarily New

  Low culture meets high concept at Plush and Purple Orchid

  May 10, 2001

• Wim Wenders

  The Director’s Cut

  April 26, 2001

• Reel People

  It's about the artists, not the stars at the 31st annual USA Film Festival

  April 26, 2001

• The Sundance Kidder

  With his own movie in tow, Dallas' indie-film guru goes to Robert Redford's festival, falls in love with the First-Timer, and embraces the hype

  February 15, 2001

• Scene, Heard

  London ain't so great

  November 30, 2000

• Pele and Tristeza

  The Nudes (Polyvinyl Records) | Dream Signals in Full Circles (Tigerstyle Records)

  October 19, 2000

• Good to Go!

  From Kid Chaos to collective anarchy, Chad Ferman wants us all to just get along

  February 10, 2000

• Home movies

  Deep Ellum Film Festival debuts

  November 11, 1999

• Speed trap

  Stay way, way out of Happy, Texas

  October 7, 1999

• Slouching toward Hollywood

  Can four young Dallas filmmakers sell their dream-and still keep their souls? Matt Zoller Seitz follows the trail of Bottle Rocket

  September 7, 1995