Fairy-tale land and real world collide to no good end in Enchanted
Two decades later, the Dallas Video Fest is better than ever
Joshua gets it: Your kid is a monster
Peter Jackson spares no expense for a Kong that's just too long
With Cinderella Man, Ron Howard finally scores a knockout
The latest comic-book movie might just kill you
The Missing misses plenty, except ancient prejudices
There are two kinds of critics: those who criticize, and those who don't
Julianne is radiant, but Todd Haynes' 1950s homage seems pointless
In 1988, Ron Shelton made Bull Durham. In 2002, it couldn't be done.
TNT pays tribute to Nicolas Cage
Spielberg and Kubrick had a weird little kid, and its name is A.I.
Warners must have a hell of a good reason for re-releasing The Exorcist
Vincent D'Onofrio may be the best actor of his generation, but who would notice?
Spielberg's 1975 blockbuster finally receives the DVD treatment it deserves
Stanley Tucci's Secret is a poignant look at a writer and his curious subject
Using Detailed instructions left by Orson Welles, top film editor Walter Murch has remade "The Best b-Movie ever" -- Welles' Touch of Evil
On film, on vinyl, and in print, the late Chairman of the Board offers pleasurable surprises
In Box of Moonlight, John Turturro finds himself...in a mediocre movie
The USA Film Festival offers an unapologetic orgy of movie delights
Kansas City is Robert Altman's best movie in years--but does anyone care anymore?
Idiotic agents sabotage the flawed, energetic Mission: Impossible
Free Willy 2 and Under Siege 2 try to recapture the magic of their predecessors
Ginger Rogers, 1911-1995
The films of Great Director honoree Paul Schrader mix art-house intelligence with B-movie grit
Pauline Kael's For Keeps is a diary of a strange and passionate affair with movies