Straight to Hell (Bruc)
High on Fire's Matt Pike talks about Earache and stoner rocket science
When the bass player split, the Toadies split up
In the wake of the Ellington 100, lesser zombie boxed sets walk among us
The Daisy doesn't need a major label to keep making, and selling, its music
Chonita "N'Dambi" Gilbert is a back-up singer no more
Floor 13 wants you...to want...them
Signing to a record label can be bad for a band's health. So why do they keep doing it?
Broadcast Data Systems listens to the radio so you don't have to
Picking the best locally made records of 1998 was easy. Who knew?
1998 was not a very good year, but it's still worth the bother
Or: Bobgoblin and Centro-matic prove why you should never sign to a record label, big or small
Steve Miller learned everything he knows about music while living in Dallas--but has he forgotten it all?
At 38, Public Enemy's Chuck D goes 'where no age has gone before'
A decade later, Course of Empire utters its last words
With the new Jesus Hits Like The Atom Bomb, Tripping Daisy has made the best record of its seven-year career. So what took so long?
Wars between the electronics giants are killing Dallas' independent music stores