The fest's best are the films to watch in the year ahead.
There is no gold at the end of this terrible flick
In T3's Popcorn, salty satire; D-FW critics pepper actors with awards
The story of an '80s anti-apartheid activist carries overtones of the present
In Pageant, six beauties in size 11 heels battle royally for the crown
How the Kentucky kid's pulled off a crazy little thing called a career
The Deep Ellum Film Festival offers cinematic pleasures...just not in Deep Ellum.
Bill Murray is an aging Don Juan revisiting former loves in Broken Flowers
Catwoman prompts both purrs and hisses
I coulda sworn I was there when they turned on the TV
For a joyous holiday, Christmas sure has some bloody awful music
The Cooler, somewhat unbelievably, asks us to swallow a Las Vegas fairy tale
There's something funny, not scary, about Cold Creek Manor
Plus: Seeing Red
Plus: Kaboom, Edited for Content
Captain Picard makes it so-so with King of Texas
When it comes to Dallas' practice of prosecuting low-level porn clerks, jurors know hypocrisy when they see it
After 25 years in Dallas' restaurant jungle, Stephan Pyles has come out respected and rich. How does he stay so clean?
Basic Instinct author crawls up Bill Clinton's pants and hangs on tight
Product placement comes to adult videos...hey, watch where you put that thing!
The tense but plodding Simpatico is no day at the races
Kevin Bacon hasn't been in every movie ever made -- it just feels like it
The Deep Ellum Center for the Arts is celebrating its first year. If it can't figure out what it wants to be, it may also be its last.
Albert Brooks used to be funny; now, not even The Muse can help him
Sure, Mighty Peking Man stinks, but that's half the fun
With the Leon Rabin Awards, Dallas toasts its theater artists without really benefiting them
Boys bond in cinematic fairy tale more grim than Grimm
A way underground film with a cast of millions!
Dwight Yoakam's the last great country singer left--and he doesn't need a twang to prove it
Last Dance struggles with the burden of being Dead Man Walking lite
Studios and audiences are embracing an overdue trend: female-empowerment films
The remake of Diabolique is a stale, creaky version of the sick French classic
Drive-In Movie Critic of Grapevine, TX
With Casino, Scorsese brilliantly leads us down the primrose path to heaven--and hell--on earth
The biggest boobs in the campy fleshfest Showgirls
are its writer and director
Sam Raimi's gonzo Western The Quick and the Dead is ludicrously entertaining
Last Seduction star Linda Fiorentino revels in bitchiness
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