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Subject: Sound Recording Industries

  • PlayRadioPlay Splits With Label

    June 30, 2008
  • Star maker

    Can Interscope do for four local bands what it did for Nine Inch Nails and Snoop Dogg?

    June 8, 1995
  • Fight the power

    July 6, 1995
  • Rock and rollercoaster

    October 5, 1995
  • Silver linings

    December 14, 1995
  • Accidental Deaths

    July 11, 1996
  • Spirit of '96

    January 9, 1997
  • Rock and roll over

    January 1, 1998
  • Run its Course

    July 9, 1998
  • Schmidt happens

    July 16, 1998
  • Redrumm is the case

    December 17, 1998
  • Nothing but static

    February 4, 1999
  • Major Mistakes

    February 11, 1999
  • Letters

    February 25, 1999
  • Guided by songs

    June 3, 1999
  • Cardboard tombstones

    June 3, 1999
  • Ben there, done that

    October 7, 1999
  • Not Wasting Any Time

    February 21, 2002
  • The Other Day at NX35: Tweet or Die (Or: The 21st Century Music Biz)

    If you managed a band in 1999 and told your clients to forget the major labels and focus on "social networking" while giving away free tracks--you wouldn't have lasted long enough to even be working today. But at least you could say "I told ya so." Ten years (and countless futile RIAA lawsuits) later, this is the new conventional wisdom. And  the folks behind NX35 wanted to make sure everyone understood, so they hosted a discussion panel, "Redefining the Music Industry Through Social Ne

    March 16, 2009
  • How Major Labels Vie for a Comeback

    It's finally dawned on record companies that they're screwed. But is it too late?

    January 10, 2008
  • Flanagan's wake

    VH1 vice president's novel about the music business mourns an era just since passed

    June 22, 2000
  • Label Mates

    While the bottom drops out for the big boys, many locals are doing just fine

    August 23, 2007
  • Letters

    April 1, 2004
  • Screwing the Man

    Electronic Robin Hoods claim music file-swapping is an act of civil disobedience

    March 18, 2004
  • Free to Download

    How can you steal music you can't even buy?

    March 11, 2004
  • Real Whirled

    Plus: New Entries in the Dallas Dictionary; “Oh, Laura”

    September 11, 2003
  • Home Free

    Onstage and off, the Dixie Chicks changed the way they do business

    October 17, 2002
  • Don't Know How

    On her way to the Top 10, Norah Jones had to decide what to do--and what not to do

    September 19, 2002
  • Do the Math

    The music industry says online piracy's killing the biz. A UTD prof says it ain't.

    August 8, 2002
  • Radio Active

    With Napster six feet under, the RIAA now wants to hang the Internet DJ

    April 25, 2002
  • When Online Got Off Base

    Or: How Mark Cuban would have--and could have?--saved the music biz

    April 11, 2002
  • Bang to Hype

    At SXSW, it's all about the buzz, not the Buzz Band

    March 21, 2002
  • Empire Strikes Back

    The record industry counters piracy in the courts and on CDs. But has it gone too far?

    December 6, 2001
  • Industrial Evolution

    The record industry crippled Napster with litigation. But has it made things worse for itself?

    November 1, 2001
  • Double Shift

    Jenny Toomey tries to figure out the future of music--for herself and everyone else

    October 25, 2001
  • Dig A Hole

    When the bass player split, the Toadies split up

    August 30, 2001
  • Ransom Notes

    Can one man convince millions of people to pay for their "free" music?

    November 9, 2000
  • Playing Possum

    After six years, The Toadies' new album is finally finished, and it's good. So why isn't it out yet?

    August 31, 2000
  • Leaning over

    One of the few jazz labels that matters, Leaning House Records, calls it quits

    July 13, 2000
  • More Soup for you

    Now on the same label as Britney and the Backstreets, is Bowling For Soup the next teen-pop sensation? Uh, no.

    June 1, 2000
  • Bug in your ear

    For 25 years, Bug Music has protected the rights of songwriters. In the process, it's gotten Willie Dixon's songs back from Led Zeppelin and transformed Iggy Pop into a TV commercial composer.

    March 16, 2000
  • Take these records, please

    Or: Yes, it was as bad as you think

    January 6, 2000
  • The forever frown

    More than 30 years later, Smile remains the subject of so much mystery

    December 16, 1999
  • Oh, Mann

    Three years and one bad record deal later, Aimee Mann returns -- with two wonderful records

    November 25, 1999
  • Rock this town

    Or: Oh, look...it's another end-of-the-century list

    October 28, 1999
  • Signing off

    Local talent scout Teresa LaBarbera-Whites discovered singing sensation Jessica Simpson the way she always does: without even trying

    September 9, 1999
  • The preacher and the Prophet

    Why can't we all just get along? The history, or not, of Russell and Jeff's Deep Ellum

    June 17, 1999
  • The Hip-Hop Hustle

    September 5, 1996
  • The Future of Used MP3 Sales

    June 26, 2009
  • Play-N-Skillz Launch Label, Sign Local Artist

    The proud owners of a new major label imprint.​ Yesterday, two-time Grammy-winning Dallas hip-hop production duo Play-N-Skillz announced a deal it has signed with Universal Music Group urban imprint SRC/Universal to launch its own imprint, which will be called G4 Muzik. After the jump, the full press release announcing the deal. But, in short, it's a pretty sweet one for the Brothers Salinas, as they'll have complete control over the production, promotion and marketing of their own clients--wh

    September 10, 2009