Wim Wenders

Good Hunter

To Cuba and back

A trip to Wenders' Buena Vista Social Club is nothing short of heavenly

Cirque de cliché

More high expectation for a big top

Channel surfing

The 1994 Dallas Video Festival mixes equal parts ineptitude and brilliance

Out There

The 1994 Dallas Video Festival mixes equal parts ineptitude and brilliance

Out of the past

Slaid Cleaves finally molds his influences into the shape of his own voice

Starr chamber

Jerry Bruckheimer and Tony Scott have a political agenda: It's called box office

Night & Day

May 6 - 12, 1999

Please Release Me

Big ups to those who are gettin' down

Our top DVD picks for the week of December 5

Big ups to those who are gettin' down

Knockoff

A German new waver resorts to tired old tricks

U2

How to Dismantle an Atomic Bomb (Interscope)

Fake Out

At the Deep Ellum film fest, fact becomes fiction becomes fact

Left Behind

A Home Alone for the grown-up set, Italian style

Wim Wenders

The Director’s Cut

Reel People

It's about the artists, not the stars at the 31st annual USA Film Festival

The Sundance Kidder

With his own movie in tow, Dallas' indie-film guru goes to Robert Redford's festival, falls in love with the First-Timer, and embraces the hype

A Star Is Björk

The Icelandic pop icon is the best thing in the mostly horrid Dancer in the Dark

Slow burn

Run Lola Run director favors depressive over manic in Winter Sleepers

Reaching new Vistas

Hasta la you know what, baby

The Rising Sound of Denton-Based Seryn

Hasta la you know what, baby