@studiesincrap

  • @studiesincrap
    25 September, 2018

    RT @mattprigge: The Jimmy Cagney picture Blonde Crazy (1931) has a) a lot of blondes, b) a lot of slapping, and c) lines like "There are tw…

  • @studiesincrap
    25 September, 2018

    RT @tessastuart: the Hell's Backbone Grill cookbook has been one of my favorites for a long time — two women chefs, serving a dry patch of…

  • @studiesincrap
    25 September, 2018

    "Talk it over with your family before you make the decision to smoke." https://t.co/IaLtUEa0uK

    studiesincrap
  • @studiesincrap
    24 September, 2018

    This cat is iconic. https://t.co/pAjntQmTw4

    studiesincrap
  • @studiesincrap
    24 September, 2018

    RT @andizeisler: I’ve been thinking that one reason these Kavanaugh stories are hitting me so hard is exactly this: The common thread in ev…

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Alan Scherstuhl

Alan Scherstuhl

Alan Scherstuhl is film editor and writer at Voice Media Group and its film partner, the Village Voice. VMG publications include LA Weekly, Denver Westword, Phoenix New Times, Miami New Times, Broward-Palm Beach New Times, Houston Press, Dallas Observer and OC Weekly.

Popular Stories

Latest Stories

  • 4 days ago | Film and TV

    Despite the killing-spree craziness of its final reels, much of the film is a how-the-kids-live-now potboiler, replete with guileless dirty talk and immense bedroom windows that seem to have been installed with peeping in mind

  • With his fevered, stylish Assassination Nation, writer-director Sam Levinson (Another Happy Day) has attempted a revenge-thriller manifesto, a sort of splatter-gore Medium post on subjects including Insta culture, selfie politics,...

  • Like lots of docs about media personalities, Lisa D'Apolito's Love, Gilda is often rushed and scattered, only rarely letting one of its vintage clips play out, always cutting away to something else. As a career overview, it's less...

  • Let's give 2018 this much: It's the year that we finally got to see Cate Blanchett head-butt a pumpkin. To be more specific, it's a bloated jack-o'-lantern, one projectile-puking seeds and pulp, a beast that's just one of the jolly, jolting...

  • 5 days ago | Film and TV

    Roth’s film is a funhouse throwback, a scare-the-kids goof with a top-shelf cast, an antique shop’s worth of creepy windup dolls and more heart than you might expect — and, like those jack-o’-lanterns, it’s got more teeth, too

  • 11 days ago | Film and TV

    Radner narrates, in a way, through her own audio diaries, plus some snippets of interviews and judicious excerpts from the audiobook of her perfectly titled — and just-barely posthumous — memoir, It’s Always Something

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