April Wolfe is the film critic for L.A. Weekly. Her criticism and features also appear in other Voice Media Group publications and in VMG's film partner the Village Voice. She's written for The Atlantic, Marie Claire, CityLab, Vice and many others, and she's the founder and a producer of One Axe Plays, a film and theater collective for women writers and directors. As a filmmaker, she's produced a feature film, written and directed a handful of shorts and worked in creative development as a top-level story analyst.
8 days ago | Film and TV
... Like Father, it turns out, is an emotional, heartfelt depiction of what it’s really like to reconnect with a loved one after they’ve hurt you irreparably, but with some solid laugh lines and none of the melodramatic sap
21 days ago | Film and TV
Overall, the film plays more like a survey of Williams’ life, an ordered and abridged history that allows fans to say, “Oh, I remember that,” as a clip from one of his more notable films plays
22 days ago | Film and TV
The film, which premieres on Netflix on July 27, traverses the spectrum of medical devices but opens and closes on one particular item, Essure, a metal coil that’s inserted into the fallopian tubes for sterilization purposes
Continuing their legacy of equally infuriating and enlightening documentaries, the producer-director team of Amy Ziering and Kirby Dick poke into the archaic and futile FDA approval systems for medical devices with their film The Bleeding...
With Unfriended: Dark Web, a follow-up to the 2014 found-footage transtextual horror film Unfriended, writer/director Stephen Susco is betting we're all a little willfully naive about the internet. Susco dutifully exploits the fear...
Watching Ol Parker's Mamma Mia! Here We Go Again, I found myself grinning so hard and for so long that by the end, the muscles in my face were sore. The film's half-baked story about a girl trying to live out her slutty, wonderful,...