In June, I had the pleasure of reviewing one of Juice WRLD’s two Bomb Factory sets, and I noticed something about him that was rare. He was popular enough to do a two-night stand at a 4,300-capacity venue, but at the same time, he was everyone’s l...

iHeartRadio’s annual Jingle Ball (or 106.1 KISS FM’s Jingle Ball, as far as DFW is concerned) made its way through Fort Worth’s Dickies Arena on Tuesday night, and as tradition has it, half a dozen of the hottest names in pop music played 20-30 mi...

Contrary to popular belief, we at the Observer actually don’t sit in our ivory towers, looking down at all the lay folk with scorn and disapproval as we kick it with George Soros and other members of the Deep State. We’re all just regular people l...

Many contemporary DIY artists and labels owe much of their success to Bandcamp for providing a popular, user-friendly platform with one of the most acclaimed payout models in the music industry. Artists such as Car Seat Headrest and Soccer Mommy u...

Tom Waits once said: "This whole division between genres has more to do with marketing than anything else. It's terrible for the culture of music. Like anything that is purely economic, it ignores the most important component." Progress. The “impo...

Dallas Observer Music Awards season is upon us yet again, a time when we reflect on the achievements made by local artists, promoters, DJs, radio hosts, producers, etc. We truly have something special with the music scene here in DFW, and while we...