Best Of :: Arts & Entertainment
Director Billy Fountain has gained the reputation of doing a lot on a stage with very little money. The Pleasant Grove native has been teaching for 20 years, but he's slowly been building an impressive résumé of shows in community theaters during the past three seasons. This year he staged a critically acclaimed One Flew Over the Cuckoo's Nest at Onstage in Bedford, then re-created some of Monty Python's best bits for a small theater in Grapevine. He wet down his actors for The Tempest at The Dallas Hub and directed singing zombies for Evil Dead: The Musical. For his new Level Ground Arts company, he'll direct a series of Edgar Allan Poe stories this fall and do a play he wrote about Lee Harvey Oswald called Crushing Grain (opening November 22), then mount a stage adaptation of Plan 9 from Outer Space (December). What would he direct with an unlimited budget? "The musical Chess," he says. "I'd kill to put that onstage."
It's not really fair to call this space an art gallery. It is and it isn't. The artwork showcased on the first floor of the gallery in Deep Ellum is from unknown artists presenting their first solo shows. "I'm a Peter Pan kind of guy," owner and photographer Hal Samples says. "Throw some pixie dust and have some people perpetuate dreams." Samples himself was homeless eight years ago, so he's keen on empowering people. "I found that there were artists that were looking to be seen, but they didn't have the opportunity. I wanted to give them a place to incubate." And so the gallery was born more than a year ago and features artists who have caught Samples' attention throughout his travel in the area. So what kind of art will you find here? "Art that makes me want to meet the person," Samples says.
For local nature buffs who don't make it out to the lake each day, J. R. Compton's Amateur Birder's Journal is the next best thing, filled with daily photos of myriad birds at White Rock Lake and their strange, wonderful behavior. From ducks to purple martins to hawks and even the occasional coyote, Compton covers it all—when he's not attending to his duties as editor and publisher of DallasArtsRevue.com, that is. Fellow bird blogger David J. Ringer, on the other hand, is merely based in Duncanville, but his work for an international nonprofit takes him to locations as far-flung as Kenya, where he documents the local wildlife (avian and otherwise) for his Search and Serendipity blog. If you're like us and rarely leave Texas, paging through Ringer's exotic photos will leave you planning ways to finance your own globe-hopping adventure.
When The Dallas Morning News told longtime Texas Rangers scribe Evan Grant that he'd be moving into a group of several Dallas Cowboys beat writers resulting from the paper's agreement to share sports coverage with the Fort Worth Star-Telegram, he decided it was time to ply his craft someplace else. He found an unlikely partner in D Magazine publisher Wick Allison, who admits he knows nothing about sports, but was sold on Grant's sales pitch to create a comprehensive Rangers blog with assistance from former News assistant sports editor Jeff Miller and baseball blogger and lawyer Mike Hindman. Despite the tough economy, Allison secured three key sponsors. Grant later added popular radio host and sports guru Bob Sturm, and the rest is blogging history.
OK, we'll forgive you if you spent about a week thinking Cowboys quarterback Tony Romo's All-American romance with local pop princess Jessica Simpson was adorably appropriate. After all, why wouldn't America's hot-and-ditzy princess want in on a little career Romomentum? But after the infamous pink jersey loss and the disappointments that followed, was there anyone in town besides bloggers hard-up for material who really wanted to see the couple last? Honestly, we're glad to see Romo's taken to an Entourage-like, Afflicton-attired existence. Sure, he's douche-y and less likable now, but when it comes to Cowboys football, we don't mind a little bros philosophy.
They say a lawyer who represents himself has a fool for a client, but that hasn't stopped Dallas attorney Gary Vodicka from waging thermonuclear war against Southern Methodist University over the last four years, alleging the school committed fraud as it went about amassing units in his condo complex, the University Gardens, only to tear them down to make room for the Bush Library. Vodicka became a genuine pain in the docket to SMU, humiliating the school, wearing down a whole team of its lawyers in a case that spans 25 thickly stuffed court jackets. Although he turned down a settlement offer of $1 million for his demolished condo unit, he finally settled the case in July for an undisclosed amount. Vodicka also managed to convince State District Judge Martin Hoffman to allow him to depose former President George W. Bush himself. The ruling didn't stand on appeal, but the fact that Vodicka got as far as he did was as amazing as it was unprecedented.
Julie Jackson is a genius. Recession be damned, she nailed her ideal demographic and tapped into that ever-purchasing, wacky world of cat lovers with her company Kitty Wigs. And although the tiny, incredibly flattering and fashionable wigs instantly caused quite a stir when the company launched, over the last couple of years, the public began wanting even more. Along with her boy-cat Boone, Kitty Wigs photographer Jill Johnson, and 25 other feline models and their owners, the Kitty Wigs creator has turned fashion into published art with the creation of Glamourpuss: The Enchanting World of Kitty Wigs. The tome features 60 photos featuring all manner of tiny wigs and their whiskered wearers. While it took around two months for Jackson and Johnson to shoot and gather all the photos for the book (featuring recognizable locales such as Lee Harvey's), it's safe to say the page-flipping pleasure will last much longer.
All right, Mr. or Ms. Readerpants, wherever you may be, we already hear you groaning and going on about how predictable we are, choosing Angela Hunt again as Dallas' best city council member, playing favorites. This is the third time we've done it since 2007. Well, you know, that's the predicament we're in. They don't call these awards the "OKs of Dallas." This is the Best of, and she is the best. Look at it this way. Try going through the rest of the city council by elimination. Let's see what all the cliques are: You've got your crooks, your socialites, your suck-ups, your sleepyheads. So, yeah, who would you pick? Vonciel Hill is smart, but she tends to linger too much in the shadow of the mayor. We've got hopes for new members Delia Jasso and Ann Margolin, but you can't buy groceries with hope. The thing about Hunt is that she's money in the bank. As Hunt begins her third two-year term on the council, we see her adding a whole lot of seasoning and steel to an already well-formed character as the smart maverick. She isn't a member of a clique, but she gets along well with those who are. She knows when to hold 'em, as she has on the Trinity River, but she knows the even harder thing—when to fold 'em, as she did on approval of the bonds for the new convention hotel. She'd make a great mayor. She's probably too smart to go for it, which is our loss. But we'll make a deal with you. If she ever does become the mayor of Dallas, we'll make a sincere effort to find somebody else who deserves Best Sitting Mayor of Dallas more than she does.
This scripted Web series launched in early August, but even at its onset, it was clear that the folks behind the serial shorts were on to something kinda special. Self-produced by Richard Neal and his staff at Zeus Comics (4411 Lemmon Ave., Suite 105), the series promises a look at the comic book world "from the other side of the counter." And that's just what it offers: a Clerks-like (but better acted), sexually charged paean to geekdom that references names and topics only recognizable by the nerdiest of collectors. But even amongst the insider chatter, the series scores laughs by focusing on the neuroses and awkward compulsions of the store's employees. The Variants is pretty entertaining stuff—so much so that you pretty much forget that you're watching what essentially amounts to a nine-minute commercial for the store.
As the title character in Matt Lyle's silent film homage The Boxer, Jeff Swearingen, 31, showed off physical comedy finesse inspired by Keaton, Chaplin and maybe a bit of PeeWee Herman. He teamed with Lyle again to play Blork, the Franken-Romeo in the silly-romantic Hello Human Female. A veteran of several improv groups, the actor got his start at The Dallas Hub and has worked with theaters all over North Texas. Next he'll play an alcoholic magician in Audacity Stage's Milky Way Cabaret in November. And look for him as Ebenezer Scrooge (his favorite character) at Plano Community Theatre. When did he realize he was funny? "When I was about 6, a group of adults were talking about how funny Bill Cosby was, and my older brother walked up and informed them that nobody was funnier than I was," Swearingen says. "I learned comedy by making my brothers laugh." When Swearingen is on a stage, everybody laughs.
Since her local theater debut in Dallas Children's Theater's Charlotte's Web in 2005, this UT-Austin grad has been popping up in comic roles on both sides of the Trinity. Shivers, 29, was a stitch as the lady cop in Circle Stage's hit Unnecessary Farce and made Ochre House audiences roar as Timmy in Matt Lyle's Hello Human Female. Inspired by Carol Burnett and Lucille Ball, Shivers says she dreams of playing frazzled maid Dotty Otley in the ultimate farce, Noises Off. Shivers' secret of comedy success? "Just be fearless. If you're playing it safe, it won't be as funny as it can be. Don't be afraid to look like an idiot."
Proprietor Richard Blair has created a community theater beloved by its surrounding community. There's never a weekend dark at this 150-seat, in-the-round playhouse tucked beside an old movie theater in a Hurst shopping center. Double- and sometimes triple-casting roles, Artisan gives amateur actors lots of work in shows like My Fair Lady, Grease, Nunsense and other family-friendly titles. The house is always full (tickets are only $12), and the atmosphere is casual (snacking is allowed and encouraged). The recent hiring of Broadway veteran John Wilkerson as full-time artistic director is a good sign that Artisan's already popular shows might be getting more professional polish.