Theatrical set designer Rodney Dobbs regularly makes something out of nothing. Starting with a bare stage, with some plywood, paint and lots of imagination, he can re-create 1960s Southern suburbia, as he did for the play Mississippi Goddamn, or go multilevel with fancy staircases and video screens for Uptown Players' glossy musical Catch Me If You Can. As a founder of low-budget Pocket Sandwich Theatre, Dobbs learned how to stretch a dollar while making visual magic. And he's used to backstage hazards. "It's not a finished set," he says, "until I've bled on it."