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Voice of one
A few theater companies cry out in the wilderness of Dallas' stage scene
By Nora Fitzgerald
Will act for food
Theater Critics Forum ponders the year's best performances--and Dallas' diminishing stage scene
Meditation on hope
Dallas' Undermain Theatre flies its production of Sarajevo to a Balkan state
Picture imperfect
New Theatre's production of The Picture of Dorian Gray suffers from tepid acting
Lunatic fringe
Melissa Cooper creates the most ambitious Festival of the Unexpected to date
Beginner's luck
Erik Ehn's new work succeeds, but it requires a leap of faith
Prophet with honor
Santos & Santos burns up DTC's stage
Exotic tease
Despite its rich elements and strong performances, Mata Hari doesn't quite hang together
Under the American dream
Texas playwright Octavio Solis brings muscle to DTC's season
Cool Buddha
Playwright Erik Ehn writes between grace and darkness
Icky sweet
Theatre Three's current musical production breaks the cuteness meter
Charmed to death
Lucky Stiff offers the best musical theater you'll find in town
Burning down the house
The dance and language in DTC's Dancing at Lughnasa are small fires burning bright
Vanya for the 21st century
Andre Gregory makes Chekhov beautiful for the big screen
Corporation of the absurd
Undermain looks at the culture of business through a fun-house mirror
Women on the verge
Kitchen Dog gets partially unhinged in a pair of feminist one-acts
Giant
Mark Morris is loved and hated for being "part diva, part truck driver," but his choreography will endure
Easy street
DTC's Avenue X croons a theme of racial harmony
Reluctant music man
John Jiler hates musicals--that's why he wrote one himself