[
{
"name": "Related Stories / Support Us Combo",
"component": "12047914",
"insertPoint": "4",
"requiredCountToDisplay": "6"
},{
"name": "Air - Billboard - Inline Content",
"component": "12047910",
"insertPoint": "2/3",
"requiredCountToDisplay": "7"
},
{
"name": "Air - MediumRectangle - Inline Content - Mobile Display Size 2",
"component": "12047911",
"insertPoint": "12",
"requiredCountToDisplay": "12"
},{
"name": "Air - MediumRectangle - Inline Content - Mobile Display Size 2",
"component": "12047911",
"insertPoint": "4th",
"startingPoint": "16",
"requiredCountToDisplay": "12"
}
,{
"name": "RevContent - In Article",
"component": "13033296",
"insertPoint": "3/5",
"requiredCountToDisplay": "5"
}
]
These New York-based indie-rockers (recently relocated from Chicago, where they recorded both their albums at Steve Albini's Electrical Audio studio complex) figure there's no reason you can't work up a dense lather of electric-guitar distortion in one song and reduce another to a few plucked notes beneath a pretty harmony-vocal line. That they're correct in that assumption doesn't lessen the mild surprise you may experience while listening to Of This Blood, the Detachment Kit's new CD. The follow-up to 2002's solid but workmanlike They Raging. Quiet Army, Blood is a refreshingly eclectic take on underground guitar-rock: loud parts! quiet parts! fast parts! slow parts! a tune in which Ian Menard summons his courage and sings-not-shouts! The band's pairing with strong-willed Illinois rockers Local H here makes sense, but if it's not too late for the reunited Pixies to choose an opening act, can someone make a call?