So, unless you've got a raging case of Anglophilia, which the caustic in-jokes on Passionoia only serve to deflate, there's quite a lot in Black Box Recorder's music that will pass over the head of the average American listener. (That's no insult to the average American listener, by the way; how much are we honestly expected to know about the English parochial school system, aside from some cursory readings of George Orwell?) Which leaves, well, the music. And in that regard, Passionoia is a treat, the band's most refined and catchy synthesis of Serge Gainsbourg-esque pop and slinky lounge beats. Vocalist Sarah Nixey makes like a particularly bloodless version of St. Etienne's Sarah Cracknell, and particularly on tracks such as "These are the Things," the music has a subdued, sexy shimmer. The overall effect is glacial, to understate the case, and where the lyrical themes are comprehensible to Stateside listeners, as on "Andrew Ridgley" and "The New Diana," the iciness works in favor of the parody. Elsewhere, Passionoia simply gives good background noise--which, in and of itself, may be part of the joke.