He was right, but I'd pick an earlier moment to illustrate his point. I think the picture is on rails when its motherless juvenile delinquent hero, Jesse (Jason James Richter), says something deeply personal to his imprisoned killer whale pal, and the whale pauses in the water and tilts his head slightly to one side, as if carefully considering what the boy has just told him. I felt an indefensibly childish rush. Suddenly I was eight again watching a Lassie movie, pointing at the screen, and exclaiming, "Look, mom! Look! Lassie's thinking! She's thinking!"
I felt the same rush throughout Free Willy 2: The Adventure Home. Like its predecessor, it isn't a great movie, but it's an amazingly guileless and professional movie. There's nothing inherently wrong with sequels. After all, who among us hasn't wanted to revisit a place that made us happy? The tough part is coming up with a story that builds on the success of an original movie without simply Xeroxing it.
The script to Free Willy 2 pulls off this difficult trick. Although it's credited to three separate writers, it doesn't feel patchy or mechanical or soulless. It's not very inventive, but it's a solid and honorable piece of work. It serves up sharply etched characters who have real emotions, real fears, and real needs, then ties those qualities directly to the ensuing action. This movie hops onto Goldman's magic rails and rarely strays.
A lot has happened in two years. Jesse has grown from a sullen troublemaker into a strong, confident adolescent who loves and trusts his foster parents (Michael Madsen and Jayne Atkinson). And he's grown in other ways, too: when the whale expert buddy from the first movie, a Native American named Randolph (August Schellenberg), sails into town with his sweet, spunky goddaughter, Nadine (Mary Kate Schellhardt), Jesse is instantly attracted to her, and is determined to find a way to impress her.
An opportunity presents itself when Willy swims back into his life, bringing his family along; a scene where Jesse and Nadine play with the whales down in the cove is a surefire kid-pleaser, but it also works as a hilariously unsubtle metaphor for the young lovebirds' impending sexual awakening. (Jesse convinces the squeamish Nadine to pet his whale buddy, and she sort of likes it until the whale gushes seawater all over her. Gee, mom, what does that mean?)
Not that Jesse's life is completely pleasurable. He's aghast to learn that his long-lost momma recently kicked off in New York, leaving behind a tough 10-year-old with the unlikely name of Elvis (Francis Capra), who joins the family and reopens some of Jesse's old emotional wounds. Then, during a gettin'-to-know-you seaside camping trip, an oil tanker runs aground, trapping Willy and his whale family in a cove. An oil slick is rapidly approaching the aquatic clan; it will take all of Jesse's ingenuity and pluck, plus plenty of help from adult friends and family, to save them. Toss in an underhanded oil company executive who wants to engineer a fake "rescue" of the whales and then sell them for a hefty finders' fee to an amusement park, and you have the makings of one shamelessly manipulative movie.
Remarkably, though, the picture rarely feels canned or insincere, mostly because Jesse is a fully rounded person who has sound reasons for doing what he does. After all, Willy isn't just his flippered pal--he's the kid's alter ego. The film treats Jesse's considerable emotional scars--his ongoing fear of abandonment and motherlessness--seriously. When he goes into action, he's fighting to make sure the bad things that happened to him as a child don't happen to Willy and his relatives.
All of which makes the picture hang together even when it's stretching plausibility to the breaking point. Free Willy 2 is virtually guaranteed to make young viewers weep and cheer, but they probably won't feel conned because the story earns these responses honestly. It's a good movie about people who are determined to do the right thing. They might be acting on behalf of whales, but you get the impression they'd do it for jeopardized humans, too, whether they knew them personally or not.