Film Reviews

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  • Through the stories of how these teens ended up at God’s Promise, Cameron Post suggests the rigid hegemony of American life, the all-too-common story of religious belief perverted in the service of fitting in

  • Lately, Asians in America have gravitated toward the romantic comedy genre, partly to bask in its flights of fancy and desire — and, quietly, to challenge stereotypes of a submissive, homogenous group of robotic workers. Nowhere has...

  • ... It’s a hero-dude adventure movie based on a Michael Crichton-esque paperback techno-thriller, which means we hear more science talk than is strictly necessary, get a tour of a gleaming research facility and meet a billionaire finder (Rainn...

  • A time capsule of a time capsule, the 1982 documentary compilation film The Atomic Café is suddenly, enragingly relevant again. There was a time -- during the 1990s particularly -- when Jayne Loader, Kevin Rafferty and Pierce...

  • Based on a crazy true story (or, as an opening title puts it, “some fo’ real, fo’ real shit”), BlacKkKlansman follows the efforts of Ron Stallworth (John David Washington), an African-American detective in the Colorado Springs police force

  • The peppy but cynical animated superhero comedy Teen Titans Go! To the Movies is eager to flatter you, as so many of its lazy meta-reflexive jokes suggest.

    Most of the gags in this pandering spoof are about their own schematic...

  • Hollywood doesn't know what to do with Kate McKinnon, so The Spy Who Dumped Me was perhaps inevitable. After stealing scenes on the margins, the cockeyed comic wonder has been given a co-leading role in the kind of wheezy cash-in breakout...

  • An assemblage of TV clips sets the stage: Ninety percent of all children have died within the space of a month, with the survivors gaining a variety of superpowers that the government catalogs in a color-coded chart ripped right from the Bush...

  • Greenfield searches for commonalities between her subjects, linking the tacky and Trumpy nouveau riche to the strippers and pornographic performers who embody her conviction that for American women the body itself is a commodity


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