Michael Pyeatt on the Secret Jazz Gems of Dallas and Deep Ellum's Glorious '90s

Page 2 of 2

I sure would like to see Dallas' jazz scene break out a little bigger, and get the attention it deserves. Who's good to see over at Balcony Club?

There is so much good music at The Balcony Club. It's sometimes hard to separate the pieces from the whole. Some of the backbone players there are: Art Riddles, Dave Burris, Bill Eden, Aaron Irwinsky, Phillip Todd Brewer, Chris Holmes.

It's great to see someone taking a chance on the local jazz scene a little. How's the club doing so far?

I hope the Balcony Club doesn't run out of miracles. I love the nights during the week where it's not crowded, the music can be otherworldly. A perfect date place, or chill out alone place. At the same time, something's got to give! There are way too many dynamics to go into here but if it survives, things needs to be more managed and cared for. I say that out of love. David Williham's band ATON used to play every Monday night there for a few years, and it was packed. The reggae music was good, there was always free food. Colin Boyd plays Happy Hour from time to time. He is awesome, himself. Recently, he brought in a new/young artist named Riley (Deaver). Very talented, very soulful. Similar to Fiona Apple.

How far back does your history go in Dallas music?

In 1989 or so, I was without a car and riding DART. I was living in Duncanville and working as a security dispatcher for DISD. I would have to walk a few miles to catch the bus near what was then called Red Bird Mall. I didn't have to be at work until 11 p.m., so I'd get off the bus at Commerce and wander around Deep Ellum before I walked over to the DISD Administration Building on Ross Avenue. There was SO much going on back then.

KEEP THE DALLAS OBSERVER FREE... Since we started the Dallas Observer, it has been defined as the free, independent voice of Dallas, and we'd like to keep it that way. With local media under siege, it's more important than ever for us to rally support behind funding our local journalism. You can help by participating in our "I Support" program, allowing us to keep offering readers access to our incisive coverage of local news, food and culture with no paywalls.
Alan Ayo