Audio By Carbonatix
Keep Dallas Observer Free
We’re aiming to raise $10,000 by April 26. Your support ensures Dallas Observer can continue watching out for you and our community. No paywall. Always accessible. Daily online and weekly in print.
I’ve seen weird instruments listed in CD liner notes before, but a dot matrix printer must be the weirdest yet. The rest of the Dallas duo’s musical arsenal is just as unconventional, but on Cabana EP+, the Casio keyboards and old-school video game systems transcend most gimmicks associated with “blip-hop.” Paul Slocum’s thick, bleeding textures and Lauren Gray’s understated vocals fondly recall My Bloody Valentine, or at least if Kevin Shields programmed with a Commodore 64. Occasionally, danceable beats rise up from the guitar and synthesizer stew, but Tree Wave keeps songs fresh with an unexpectedly solid combination of odd song structures and a love for pop. Tracks like the ever-mutating “Morning Coffee Hymn” and the swirling blast of “Sleep” indicate a confidence not normally heard in a local debut. Granted, 24 minutes isn’t enough to trust that Tree Wave could do so well on a full-length, but at the very least, Cabana‘s lush-yet-poppy electronica never wears thin on this EP.