Judging by how often he's cast in local productions, Bill Jenkins appears to be a director's darling. In the three leading roles he's had at three theaters here this year, he's proven versatile, likable and dependable as a performer, expertly tackling a wide range of accents and acting styles. For Addison's WaterTower Theatre, he roared as the ghost of John Barrymore in the high-spirited I Hate Hamlet. At Theatre Three (where he was voted "Patrons' Favorite") he raised the roof as an ambitious young Baptist minister in God's Man in Texas. For Theatre Britain at the Trinity River Arts Center, he oozed cockney charm as The Mysterious Mr. Love. He's also performed major comedic and dramatic roles at Kitchen Dog, Stage West, Casa Maana and Circle Theatre. Watching Jenkins onstage is a lesson in acting technique. His diction is crisp, his physicality well-tuned. His handsome face, with its deeply dimpled smile, can shift from utterly beguiling one moment to dangerously brooding the next. There's something old-fashioned about Jenkins' approach to stage work. He doesn't just say the words and strike the poses; he inhabits the characters and disappears into the roles. When his name is in the program, you know you're in for something good. Applause, applause.