Polyphonic Spree

From the first notes of "Mental Cabaret" on the Polyphonic Spree's just-born EP, WAIT, it's clear the militia of happiness has darkened the corners. The legion's expected brightness has been dampened by gloomier keyboards and electronic elements that swirl around a choir/band that is obviously traversing a new emotional landscape...
Carbonatix Pre-Player Loader

Audio By Carbonatix

Keep Dallas Observer Free

We’re aiming to raise $10,000 by April 26. Your support ensures Dallas Observer can continue watching out for you and our community. No paywall. Always accessible. Daily online and weekly in print.

$10,000

From the first notes of “Mental Cabaret” on the Polyphonic Spree’s just-born EP, WAIT, it’s clear the militia of happiness has darkened the corners. The legion’s expected brightness has been dampened by gloomier keyboards and electronic elements that swirl around a choir/band that is obviously traversing a new emotional landscape. Perhaps the change comes from having worked with musical dark horse John Congleton on the band’s upcoming album or maybe it comes from world discord, but head Spree’r Tim DeLaughter has added edge and fever to his already energetic, thoughtful and celebratory creations. The real drama of the Spree’s highly anticipated return home, however, won’t be derived solely from the new tunes but from how the mass of musicians chooses to mix old anthems with new affirmations. Let’s just be thankful all the build-up won’t be spoiled by Hasidic reggae “sensation” Matisyahu–the Spree limited those opening bills to West Coast dates.

GET MORE COVERAGE LIKE THIS

Sign up for the Music newsletter to get the latest stories delivered to your inbox

Loading latest posts...