Cruise is Good, but Jack Reacher’s Gone Soft

Before we get into the matter of Jack Reacher: Never Go Back, we must first address the issue of the man actually playing Jack Reacher. Resolved: Tom Cruise has absolutely nothing in common physically with author Lee Child’s crime-solving ex-military drifter. Cruise is famously diminutive; Reacher is famously tall and…

The Genius of Idiocracy Is That It Makes You Dumber, Too

Mike Judge’s Idiocracy might technically be coming back to theaters for one night only, but for many of us, it’s been running on an endless loop for years. In a world where Donald Trump is a presidential candidate and some cafes are now offering blowjobs with your morning coffee, it’s…

Judy Davis on the Art of Acting — and Being Judy Davis

Judy Davis doesn’t like the expression “scene-stealing,” even though it precisely describes her performance in The Dressmaker. “I always sort of cringe when I hear that,” she says, “because what it implies is that’s what the actor is after.” So let’s just put it this way: As Kate Winslet’s acerbic,…

Deepwater Horizon Makes Rousing Adventure From a Real-Life Tragedy

Deepwater Horizon is the most entertaining Hollywood disaster movie in years. I’m sorry — is that a terrible thing to say? Peter Berg’s film is based on the true story of the BP-leased, Transocean-owned deepwater drilling rig that in 2010 exploded in the Gulf of Mexico, killing 11 souls and…

Tense Comedy Miss Stevens Puts Responsibility on a Teacher With Lots to Learn

Lily Rabe’s discomfiting performance anchors the fascinatingly uneasy comedy-drama Miss Stevens. Julia Hart’s film — about a young, slightly hapless English teacher who must chaperone three students to a state drama competition — has a premise that could easily invite cliché. You half expect it to become either an inspirational…

Life in the Mind of a Comatose Boy Is Gorgeous, but What Does It Reveal?

Opening your film on the image of a child plummeting off a cliff, presumably to his death, is a fairly foolproof way of getting the audience’s attention. And Alexandre Aja’s hyper-stylized coming-of-age-movie-slash-fantasy-slash-psychological-thriller The 9th Life of Louis Drax excels at grabbing you with a steady stream of provocative and ornate…

The Low-Key Pete’s Dragon Dares to Mostly Let Its Beast Chill

Pete’s Dragon is as cuddly as the mountains of plush toys Disney hopes to sell from it. A disarmingly homespun blockbuster, this loose remake of the studio’s 1977 live-action/animation hybrid is perhaps best defined by all the things it’s not: It’s not a soaring action flick, nor an indulgence in…

The Little Prince Gets Expanded Onscreen, but Not Corrupted

Antoine de Saint-Exupéry’s The Little Prince, published in 1943, might stand as a children’s classic, but it’s not-so-secretly a story for grown-ups. Kids have long been drawn to the book’s dreamy sense of wonder, to the golden-haired star-child of the title, but Saint-Exupéry’s ruminations on regret, solitude and loss belong…

In Gleason, an NFL Hero Faces ALS and the Loss of His Body

With unflagging honesty and compassion, Clay Tweel’s documentary Gleason charts the journey of former New Orleans Saints safety Steve Gleason as he copes with the ruinous nerve disease ALS, or Lou Gehrig’s Disease. That description, however, can’t quite do justice to Tweel’s film, which is partly built around video journals…

With Election Year, the Purge Series Reaches Its Term Limit

James DeMonaco’s Purge series, about a near future in which all crime is legal for one annual 12-hour period, began as a disturbing setup for basic genre thrills: 2013’s franchise-starter was essentially a home-invasion thriller with a dystopian twist. By the time Purge: Anarchy rolled around a year later, the…