They call it “human interest.” There are few narratives more compelling than a survival story like Peter Weir’s new adventure yarn. The protagonists of The Way Back, the veteran director’s first movie in the seven years since his seafaring Master and Commander, are a group of Soviet prisoners who escape…
Only inertia will bring people to Michel Gondry’s 3-D spectacle, The Green Hornet. Opening amid persistent negative buzz in the mid-January dead zone, this long-germinating prospective franchise, based on a character that first saturated the nation’s radio waves in 1939, seems pretty much DOA. Rather than a $90 million Gondry…
Claire Denis’ strongest movie in the decade since Beau Travail, her tense, convulsive White Material is a portrait of change and a thing of terrible beauty. The time is unspecified. The subject is the collapse of an unnamed West African state, and the protagonist, Maria, a French settler unflinchingly played…
The late George Hickenlooper’s Casino Jack is an improbably blithe cautionary tale, recounting the rise and fall of D.C. superlobbyist Jack Abramoff. “You’re either a big-leaguer or you’re a slave clawing your way onto the C train,” the avid antihero (Kevin Spacey) tells his mirrored reflection in the pre-credit sequence;…
Many of my favorite films of the year are still awaiting wider release, so although this top 10 list wraps up my 2010, it can also serve as a guide to your 2011. My No. 1 film, in fact, sneaks into New York just three days before the year ends:…
Boldly reanimating the comic Western that secured John Wayne his Oscar 41 years ago, the Coen brothers’ True Grit is well-wrought, if overly talkative, and seriously ambitious. Opening with a strategically abbreviated Old Testament proverb (“The wicked flee when none pursueth”), the film returns the Coens to the all-American sagebrush…
A picnic for Anglophiles, not to mention a prospective Oscar bonanza for the brothers Weinstein, The King’s Speech is a well-wrought, enjoyably amusing inspirational drama that successfully humanizes, even as it pokes fun at, the House of Windsor. The story—shy young prince helped by irascible wizard to break an evil…
The Fighter is based on the true story of Lowell, Massachusetts, light welterweight champ “Irish” Micky Ward, but, starring Boston working-class hero Mark Wahlberg, it plays as a Rocky-fied fairy tale for our time: Consigned to Palookaville, a sweet, unassuming boxer with more heart than brains steps up—all the way…
Jeff Bridges is God and, as image-captured from the original 1982 Tron, he’s also the devil in Disney’s mega-million dollar reboot, Tron: Legacy. The notion of a tragically split persona might have been scripted to give the new movie a measure of emotional gravitas, but why bother with writing when…
A near-irresistible exercise in bravura absurdity, Darren Aronofsky’s Black Swan deserves to become a minor classic of heterosexual camp—at the very least, it’s the most risible and riotous backstage movie since Showgirls. Tchaikovsky’s Swan Lake has had a spooky quality at least since Tod Browning appropriated a few bars of…
“I was recently sitting with a group of French directors, and at a certain point the conversation turned to Fred Wiseman,” critic Kent Jones wrote eight years ago in Film Comment. “Without hesitation, everyone agreed that he was probably America’s greatest living filmmaker”—not to mention the world-champion practitioner of the…
Chinese-Canadian filmmaker Lixin Fan’s prize-winning documentary Last Train Home is an intimate portrait of an unfathomable immensity, focusing on a single family caught up in the world’s largest mass migration. Opening overhead shots show a huge mob waiting in the rain to push their way into China’s Guangzhou railroad station…
Comely, independent, willful young lass returns to collect family inheritance in rural England, drives the local men wild, makes several misalliances, and inadvertently precipitates a catastrophe before nature finally takes its course. Adapted from Posy Simmonds’ excellent graphic novel, Tamara Drewe knowingly updates Thomas Hardy’s gloomy pastoral Far From the…
Inside Job, Charles Ferguson’s follow-up to his Iraq War gut-twister No End in Sight, is a documentary that inspires less shock and awe than sickening ire. The movie opens with the cautionary tale of little Iceland, an idyllic nation so stable that, as put by one local, it enjoyed “almost…
Life is wonderful, death is wow, chance is weird and Clint Eastwood’s Hereafter is a puddle of tepid ick. Is America’s last cowboy icon prospecting for more Oscar gold? Taking for his map an original screenplay by British docu-dramatist Peter Morgan (The Queen, Frost/Nixon), Eastwood rides a sleepy burro deep…
The Social Network is a wonderful title, at once Olympian in its detachment and self-descriptive in its buzz. Everyone will opine (and Tweet) on this Scott Rudin-produced, Aaron Sorkin-scripted, David Fincher-directed, universally anticipated tale of Facebook’s genesis and founding genius—at least until something sexier comes along. The main talking point…
Published five years ago, Kazuo Ishiguro’s massively praised Never Let Me Go is set in an alternate universe where life has been extended and catastrophic illness eliminated thanks to an evolutionary advance, namely the harvesting of vital organs from specially bred human clones. But that’s backstory. Despite its lurid premise,…
Elegant opening credits, written like calligraphy on a wedding invitation, yield to a couple in blunt close-up—unhappy, interracial, tearfully celebrating their anniversary in a shopping-mall restaurant. After an unfathomable exchange, he presents her with an antique bowl found on eBay and, after reciting a guffaw-worthy litany of sins, promises to…
Lebanon, written and directed by Samuel Maoz, is not just the year’s most impressive first feature but also the strongest new movie of any kind I’ve seen in 2010. Actually, Lebanon—which won the Golden Lion at Venice, after being rejected by Berlin and Cannes—hardly seems like a debut, perhaps because…
Serious comedy, powered by an enthusiastic cast and full of good-natured innuendo, Lisa Cholodenko’s The Kids Are All Right gives adolescent coming-of-age and the battle of the sexes a unique twist, in part by creating a romantic triangle between a longstanding, devoutly bourgeois lesbian couple Nic and Jules (Annette Bening…
Implicit in its title, the premise of The Killer Inside Me—directed by Michael Winterbottom from Jim Thompson’s 1952 crime novel—could be summed up in a classified ad: Texas cop with pleasant boyish demeanor seeks compliant dames for sadistic sex games culminating in murder. What complicates this tale is its telling…
Opening with a close-up of the crow’s feet around its subject’s eyes and expanding to reveal her Botox-frozen upper lip, the documentary-portrait Joan Rivers: A Piece of Work celebrates Saint Joan the Resilient, Showbiz Survivor. Ricki Stern and Annie Sundberg dogged the indomitable stand-up comic throughout the course of her…
