The press release for the second production by Impulse Theatre of the Fearless promises the troupe will present a “new form of entertainment for bargoers in Deep Ellum and Denton: unique, cutting-edge theatrical events in bars.” The release continues that “people who wouldn’t normally choose to spend their Friday or…
Over the last few years, I’ve seen David Sedaris — that little smart-ass — read his work at the McKinney Avenue Contemporary, Southern Methodist University, Crossroads Market, and the Dallas Museum of Art. So I don’t consider myself just a fan of his, but an enlisted member in his unholy…
There is a wonderful collision of the best of theatrical possibilities in Christmas at Ground Zero, especially at this time of year. It offers real emotion, not mere sentiment; short bursts of inspiration, not two-act platitudes; and genuinely surprising subject matter woven into a holiday context, rather than rote tales…
One of the most impressive things about Art isn’t that it won a Tony and an Olivier and an Evening Standard, blah blah blah, but that the script has legs long enough to carry it across the world. Since Yasmina Reza’s play debuted in France in the mid-’90s, it has…
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Being called “brave” all the time must be almost as annoying for a disabled person as living in a world designed for the abled. Sure enough, peruse reviews of Firdaus Kanga’s “autobiographical novel” Trying to Grow or the astringently unsentimental film version of it, Sixth Happiness, and you’ll find critics…
My slightly freaked-out attitude toward puppet shows (the more fluid and effective the puppeteers, the bigger the freak-out) is perhaps best explained by historical example. The Roman Catholic Church once relied heavily on puppets as evangelical devices used to illustrate Biblical stories about the birth and death of Christ and…
It’s not really unusual for gay men 35 and under never to have owned a single Bette Midler album. All joking aside, she really is a generational benchmark, beloved as much for her rise at a time when gay sex was healthy and plentiful as for her innocent bawdiness. I…
With all the accolades showered on a young Joe Orton (the very acclaim that, in part, caused lover Kenneth Halliwell’s silver hammer to come down upon the 34-year-old playwright-novelist’s head) during the mid-’60s, more than 30 years passed after his murder before the wicked farceur received his most fitting tribute…
There’s a turning point when Felicia’s Journey becomes a completely different movie from the one you’ve been watching, and if you’re unfamiliar with William Trevor’s 1994 novel upon which the film is based, it makes your back stiffen with alarm. It is, satisfyingly, a very Atom Egoyan moment: The film…
More often than not, I think Harold Bloom’s a pompous ass — except when it comes to his complaints about live Shakespeare, and then, he’s spot on. In his book The Invention of the Human, Bloom insists — as I do, which, of course, makes him right this one time…
I know I’m not the only critic in Dallas who was startled by the announcement that Kitchen Dog artistic director Dan Day had chosen Chris Carlos to play the title role in Othello. Carlos is one of the most charismatic performers working on our stages, a fellow who radiates good…
Pegasus Theatre brings us Eric Coble’s comedy with a few of the company’s patented missteps — comic styles that jar and occasionally grate when blended onstage — intact. But the script is so sturdy and compassionate, and the best performances are so filled with a variety of pleasurable little moments,…
Is it possible to be separate and equal? It certainly didn’t work out that way for African-Americans, and when applying the questions to lesbians and gays — who have created their own neighborhoods, restaurants, and film festivals — you inevitably encounter ambivalence. Folks want to be comfortable everywhere, but they…
Ivan Turgenev had paved the way for Anton Chekhov’s seething domestic storms in 1850 with his play A Month in the Country, which concerned educated individuals vacationing at a summer home who fail to make a love connection and are rendered miserable by it. He caught great acclaim from the…
“I had a very passionate temper,” Victorian poet Christina Rossetti once wrote to an intimate about her childhood. “On one occasion, being rebuked by my dear Mother for some fault, I seized a pair of scissors and ripped up my arm to vent my wrath.” It is perhaps a classic…
I would have said that the October chill had solidified resolve in the Dallas theater community, but temperatures have reached the upper 80s and lower 90s, so there’s some other explanation for the bold confidence displayed in this month’s productions. 11th Street Theatre Project offers up one of its simplest…
Fran Lebowitz once observed that if the problem with communism is that it’s too boring, then the problem with fascism is that it’s too exciting. This aphorism neatly sums up the strange sex appeal some people find in Nazi drag: high leather boots, padded shoulders, shaved heads, various daunting interrogation…
If you lie down with critics, you get up with fleas, or some such pestilence. So the winners of the 1999 Dallas Theater Critics Forum Awards can gain solace that a certain persistent itch is at least accompanied by an award for “outstanding excellence in the field of stage virtuosity,”…
And on the subject of turning an unwieldy performance space into a suitable showcase for theater, I have to say that Teatro Dallas artistic director Cora Cardona and her design crew have made me a believer in the potential of that shoebox of a “converted” rehearsal space that resides in…
Gorey Stories, the autumn production of Scott Osborne and Patti Kirkpatrick’s Our Endeavors Theater Company, is an exciting theatrical event for one reason, shared by two entities: Sitting in the audience, you are watching a company (Our Endeavors) and an institution (Deep Ellum Center for the Arts) tumble out of…
There was a young curate whose brain Was deranged from the use of cocaine He lured a small child To a copse dark and wild Where he beat it to death with his cane Welcome to the perfidious pen of author-illustrator-playwright Edward Gorey, who for five decades has drawn those…
