British filmmaker Peter Greenaway sits near a window in the dining room of the Hollywood Roosevelt Hotel; he indicates with his eyes a man walking along the sidewalk toward Hollywood Boulevard. In trying to explain his use of multiple imagery in his new film, The Pillow Book, and separating it…
First, the good news: Unlike most action film sequels, Speed 2: Cruise Control is not a mere retread of the original. Now the bad news: Better it had been. Director Jan De Bont made a dazzling debut with the 1994 Speed. His riveting direction of action triumphed over a hackneyed,…
thursday june 12 Taming of the Shrew: Fort Worth beats Dallas to the “Shakespeare in the Park” punch with a production of Willie’s ultimate battle-of-the-sexes comedy, The Taming of the Shrew. The question is, will actress Theda Reale–who has worked extensively in theater and film on both coasts–deliver Katerina’s final…
A certain kind of movie lover adores anything and everything foreign–French romantic comedies, Chinese historical dramas, English studies of class conflict. This is a perfectly defensible bias to hold, since the cinema does nothing better than take the stories of distant neighborhoods and write them so large across the screen…
When you consider that Dallas-based playwright Angela Wilson mines very familiar territory in her two one-acts, Black Velvet and George and Scheherazade, sad, sad, sad, the little gems she extracts in her dirt-covered fingers are all the more surprising. Like all playwrights who attempt to cull the dramatic from the…
It wouldn’t be completely fair to say that the hits produced by Don Simpson and Jerry Bruckheimer from 1983 through 1996 are stylistically interchangeable. But it wouldn’t be so awfully unfair either: A homogeneous, auteurial touch runs from Flashdance (1983) through Top Gun (1986), Beverly Hills Cop II (1987), and…
thursday june 5 1997 Tour of World Figure Skating Champions: Some skating superstars have become famous for things other than working the blades–Dorothy Hamill for drinking iced tea and shampooing her hair, Rudy Galindo for being boy crazy, Oksana Baiul for proving you can laugh at someone’s name and still…
OK, we’re into the mopping-up phase now. It’s the fifth and final week of the Drive-In Academy Award nominations, and so far we’ve received a total of 34 ballots–54 if you count inmates. This is the kind of apathy that led to Nazi Germany. Nevertheless, we begin with the increasingly…
Having recently seen the same Samuel Beckett one-act performed by two different Dallas theater companies for two different audiences, a comparison is in order–and would be particularly helpful for neophyte theatergoers. Three weeks back, a large group of people, mostly heterosexual couples, attended a performance of Bucket Productions’ For Whom…
Make no mistake: Twin Town ain’t Trainspotting, baby. Even though on its poster–and soundtrack–two of its stars are posed in mid-lunge, crouching as though running from a Cannes jury aching to cram some prize down their throats…just like Trainspotting. Even though Twin Town’s executive producers directed (Danny Boyle) and produced…
In a season of lumbering big-screen circuses, Rough Magic provides a rowdy creative sideshow. It’s the kind of haywire high-wire act that suspends the laws of science and grows more involving and comical with every artful near-fall. It’s about magic as illusion and magic as genuine miracle, and it shuffles…
It lasted a mere four seasons, but thirtysomething lives on. Its legacy began the moment the show went off the air in 1991: The yuppie angst fantasy created by Marshall Herskovitz and Ed Zwick continues to spawn even now, its children looking almost exactly like the parents. First came My…
thursday may 29 Cruces de la Vida: In a culture that has prized the public display of machismo as highly as the Latino culture has, it’s inevitable that Latinas have traditionally been driven to find and exercise strength inside themselves. The Catholic Church has provided much fuel to help stoke…
Yes indeed, it’s Dinosaur Week in the 1997 Drive-In Academy Award nominations, time for our annual recognition of those who have just made too goldurn many B movies. This has always been a popular category, even though Morgan Fairchild once won it three years in a row and her dominance…
It says a lot about New Theatre Company’s collective skills that a play about boredom should come across so forcefully. Yet Keith Reddin’s Dallas premiere of Nebraska twiddles its thumbs with such homicidal intensity, the thwarted lives of the various couples it portrays are rendered from the inside out, all…
Picking up the press kit for the new gay comedy-drama Love! Valour! Compassion!, I was primed to find a dictionary noting the multiple meanings of “queen.” Of course, this enterprise is too self-consciously tasteful to commit such a faux pas. Terrence McNally’s Tony Award-winning work has been called “one of…
The appearance of The Lost World: Jurassic Park carries a double burden. Not only is it the sequel to the most popular movie ever made, but it is also the first film Steven Spielberg has directed since 1993’s Schindler’s List. Now that he has finally won his Oscar and achieved…
thursday may 22 Black Velvet and George and Scheherazade, sad, sad, sad: 11th Street Theatre Project brings these two short plays written by a playwright who graduated from Southern Methodist University to the Dallas area for the first time. Angela Wilson, who currently teaches on the faculty of Mountainview College,…
Last week I belted down three whiskeys, grabbed a couple of ammo belts, and prepared to enter the Place of Unspeakable Darkness. Rhett Beavers wanted to go to… The Computer Store. Why do all the people in computer stores look like terrorists? Their hairdos stick out in 17 different directions,…
Laurel Hoitsma, a company member of Undermain Theatre and actress about town, called a couple weeks ago to make a request unusual to these ears: “Please don’t review the new show I’m in.” Had I finally bored a Dallas actor to the breaking point? After being reassured that this disinvitation…
Sidney Lumet has had enough ups and downs in his long, prolific career that it’s never safe to count him out–even after two disappointing films in a row, A Stranger Among Us (1992) and Guilty as Sin (1993). Even the greatest directors frequently falter in their seventies, so it’s pleasant…
Gummy with heartfelt folderol and overbearingly chummy, Fathers’ Day comes across like a feature-length expansion of its sniffle-and-giggle trailer. Prior to this teaming, Robin Williams and Billy Crystal had never been in a movie together–though, along with Whoopi Goldberg, they appear together annually on the televised Comic Relief fundraiser–so there…
